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Note! Optional english subtitles (and synopsis below) Renée Fleming, soloist at the Nobel Prize Concert 2006 Finale (closing scene) from Capriccio by Richard Strauss Lawrence Renes conducts The Royal Stockholm Philharmonic Orchestra Recorded live at Konserthuset in Stockholm by TV4 for Nobel Media TV-director Johanna Olofsson About the music: This is the final scene from Capriccio, composer Richard Strauss' last opera (1942), which deals with the never-ending argument "which art form is superior - poetry or music"? (extremely important to some, rather pointless to others...) As with most of Strauss' operas, the libretto (text) is crucial - Capriccio is even subtitled "A Conversation Piece for Music" - so I strongly recommend the optional subtitles in english if german is not your strongest language (and even then the words in opera can be tricky to hear, although Renée Fleming's diction is, in my opinion, flawless). The main character is an art-loving countess (Madeleine), and all through the opera two men has contended for her affections: Olivier (a poet) and Flamand (a composer). Parallell to this, each man wants her to express preference for his particular art form, not least regarding a certain sonnet Olivier wrote that Flamand set music to (which version did she prefer?) In this final scene, Madeleine realizes both Flamand and Olivier have - separately - asked to see her the next morning, at the same time, presumably to know who of them she will have. Realizing the time for dalliance is over, Madeleine struggles with what to do, because to her, both the men and their art forms have become entwined and are, in the end, inseparable.