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Cinematography Lighting Breakdown: Join me in Nashville, TN as I break down the lighting for an interview with the iconic guitar player for Led Zeppelin, Jimmy Page. In this breakdown we get into all the details on my lighting approach, we take a look behind the scenes and look at my lighting diagrams we made in prep. Be sure to watch the full video we're breaking down here: • Jimmy Page 1964 SJ-200 & 1964 SJ-200 Colle... This project was shot on Canon C500mkII with Canon CN-E Full Frame lenses. 00:00 - Intro 00:24 - Video we'll be breaking down 01:13 - Scope of the work 01:46 - Location Scout 02:47 - What is difficult about this location 03:12 - Initial Lighting Plan 03:33 - Initial Lighting Overhead 03:50 - Exterior Key Light: Arri M40 04:26 - Exterior Background Light: Arri M18 04:39 - Interior Lighting: Aputure 600x Key Light 05:10 - Interior Lighting: Options For Wrapping The Key 05:32 - Interior Lighting: Final Light - Edge Light 05:46 - Cameras 06:03 - Pre-Vis Frames 06:11 - Pre-Vis: A Cam 06:13 - Pre-Vis: B Cam 06:18 - Pre-Vis: C Cam 06:24 - Pre-Vis: D Cam 06:29 - Pre-Vis: E Cam 06:32 - On Our Way To Nashville! 07:20 - Pre Vis Frames VS Final Frames 07:25 - A & B Cams 07:32 - C & D Cams 07:36 - What differs from Pre-Vis to Final Frame? 07:42 - A Lesson In Being Flexible With Your Lighting 09:57 - FInal Lighting Plan 10:08 - Weather on the shoot day changed my lighting approach 10:36 - Final Lighting: Key Light - Aputure 600x 10:46 - Final Lighting: Shaping The Key 10:59 - Final Lighting: Exterior Light - M18 11:08 - Final Lighting: Practical Lamp 11:19 - Final Lighting: Back Light - Litemat 2L 11:42 - Why not use a control grid? 12:04 - Final Lighting: Negative Fill 12:44 - Heading Back to LA 13:26 - Outro Want to see more lighting breakdowns? Comment below with locations or scenarios you'd like me to cover next! CONNECT WITH ME: Website: http://www.grantmacallister.com Instagram: / cinematics Threads: www.threads.net/@cinematics