I Can't Get Started: Journey Through The Real Book скачать в хорошем качестве

I Can't Get Started: Journey Through The Real Book

A jazz piano lesson on "I Can't Get Started," using 1930's-40s jazz piano techniques such as stride and bebop-style reharmonization sound great on this "chestnut" from the Swing Era, which was a favorite of Bunny Berigan, Billie Holiday, and Lester Young. Learn the 5 Essential Left Hand Techniques with my free ebook: Jazz Piano Left Hand Techniques: https://keyboardimprov.com/jazz-left-... You'll find my book, The Inner World of Piano Improvisation, on Amazon. History and background for the jazz standard “I Can’t Get Started” 0:00 Bunny Berigan’s 1937 recording of “I Can’t Get Started” 0:31 The legendary 1930’s collaborations of Billie Holiday and Lester Young 0:58 The “Swing Song” tradition 1:13 The musical and personal friendship between Lester Young and Billie Holiday 1:29 A Billie Holiday/Lester Young story told on WKCR by Phil Schaap 1:41 The use of the “Heart and Soul” chord progression on jazz standards like “I Can’t Get Started” 2:14 Jazz harmonic variations of the “Heart and Soul” chord progression 2:22 The “Bebop chord changes” commonly used to reharmonize “I Can’t Get Started” (Bm7 E7/Bbm7 Eb7/Am7 D7/Abm7 Db7) 3:30 A very typical Swing/Bebop piano intro, beginning with a #iv half-diminished 7th chord 4:36 A medium-slow swing piano solo rendition of “I Can’t Get Started” 5:01 Playing the melody over a stride left hand accompaniment 5:09 Breaking up the left hand rhythms, for variety 5:15 A melodic fill during the turnaround 5:24 Left hand “suspended time” trills, inspired by Art Tatum 5:33 Playing the bridge’s melody while thinking about Billy Holiday’s rendition 5:46 Using the “I Can’t Get Started” bebop changes 6:10 A G pedal point in the bass during the turnaround 6:19 Improvising with block chords, in the style of Milt Buckner and George Shearing 6:23 Returning to a steady LH accompaniment, with “shell” voicings 6:58 Disguising the underlying beat, again inspired by Art Tatum 7:11 Hinting at the song’s melody 7:14 Soloing over the bebop reharmonization of “I Can’t Get Started” 7:19 A Duke Ellington chord voicing 7:33 Soloing with octaves in the right hand, in the style of Earl Hines 7:45 Developing motifs 8:00 Chromatic inner-voice motion during the bridge 8:07 The final ‘A’ section 8:25 Tritone substitutions 8:31 Going “out of tempo” 8:35 Jazz piano reharmonization in the style of Billy Taylor and Art Tatum 8:38 Returning to the Introduction’s chords for the ending 8:42 Quoting the main melody to finish 8:51 Immersing ourselves in jazz recordings from the 1930s-40s 8:59 Here are some more Free Jazz Piano Lessons for you at the KeyboardImprov website: https://keyboardimprov.com/free-begin... Thanks for joining me on this musical adventure, and please LIKE, COMMENT and SHARE this video with your musical friends. If you'd like to start my full video course, you'll find it here: https://keyboardimprov.com/get-starte... For Zoom and Skype lessons, please email me at [email protected]. Enjoy the journey, and "let the music flow!" Ron