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The composer does not use the familiar baroque/classical names for the various movements of his suite. But there is clearly inspiration drawn from those old forms. I definitely ain't no musicologist. I. Allegro con anima A bright and chipper prelude. This will cheer you up whenever you're blue. II. Adagietto If the previous one cheered you up, the jarring dissonances of this piece that I think of as some kind of weird chaconne will get you down again right away. III. Vivo A quick sprint, the scherzo of this suite to be sure. Finger-twisting awkwardness abounds. IV. Andantino It's as though the previous movement lost all of its steam and slowed to an intimate, reflective crawl. A beautiful lyrical intermezzo that sets us up for the big finale. V. Allegro con brio Yup, it's the toccata of the family. A big, boisterous finish all up and down the keyboard. Image of a cottage in Lapland by Tapani Hellman from Pixabay. https://pixabay.com/users/ltapsah-246... -- 00:00 - I. Allegro con anima 02:02 - II. Adagietto 05:32 - III. Vivo 07:06 - IV. Andantino 08:56 - V. Allegro con brio