藝文.逸志- 天方奇毯:伊斯蘭與世界文明的交織展覽Art-Culture - The Intertwining of Islam and World Civilizations Exhibition скачать в хорошем качестве

藝文.逸志- 天方奇毯:伊斯蘭與世界文明的交織展覽Art-Culture - The Intertwining of Islam and World Civilizations Exhibition

香港故宮文化博物館於2025年6月18日至10月6日成功舉辦了「天方奇毯──伊斯蘭與世界文明的交織」（「天方奇毯」展覽，是香港首個聚焦伊斯蘭和中華文明之間的文化交流，以及薩法維伊朗、莫臥兒印度和鄂圖曼土耳其藝術成就的展覽。是次展覽由香港故宮文化博物館與卡塔爾博物館管理局轄下的多哈伊斯蘭藝術博物館聯合主辦，展出約100件珍貴文物，包括地毯、瓷器、金屬工藝品、彩繪手稿及玉器等。 展覽展示來自薩法維伊朗、這些精美的器物展現了近代早期三大伊斯蘭王朝──薩法維（1501–1736年）、莫臥兒（1526–1857年）和鄂圖曼（1299–1923年）王朝之間因貿易、人口遷徙和外交活動而興盛的文化藝術交流。展覽亦呈現了中國與伊斯蘭世界藝術互為對方靈感之來源。 展品主要來自卡塔爾多哈伊斯蘭藝術博物館，也有來自故宮博物院和香港故宮文化博物館的珍貴藏品，包括鄂圖曼土耳其和莫臥兒印度一帶的地毯，以及10至19世紀的陶瓷、金屬器物、手稿和玉器。這些文物不僅反映伊斯蘭三大王朝，即薩法維王朝（1501–1736年）、莫臥兒王朝（1526–1857年）和鄂圖曼王朝（1299–1923年）之間在藝術方面的往來，也展現伊斯蘭和中華文明之間透過貿易、遷徙和外交所促成的文化和藝術方面緊密交流和互動。 伊斯蘭藝術」泛指由穆斯林群體所創作、涵蓋宗教和世俗的藝術作品。除了建築之外，地毯是伊斯蘭藝術中最大型、最具代表性的表現形式。作為中東地區的重要博物館，多哈伊斯蘭藝術博物館的伊斯蘭藝術收藏舉世聞名，這次「天方奇毯」展覽更是首度與香港文化地標香港故宮文化博物館合作，將眾多珍貴館藏由該館的常設展覽，首次移師香港展出，為本地觀眾提供難得的機會，探索伊斯蘭藝術的瑰麗世界。 宮廷地毯是由技藝高超的織工精心製作，並獲大量皇室資金支持。每幅地毯皆採用最上乘的材料，包括絲線、帕什米納羊毛、金線和銀線，再以來自世界各地的染料進行染色。「天方奇毯」展覽中，面積最大的宮廷地毯甚至需要多達十位良工巧匠合力編織多年才能完成。展覽中巧奪天工的地毯珍品，均生產於十六至十八世紀期間的薩法維伊朗、莫臥兒印度、鄂圖曼土耳其，以及中國。 展覽分為四個單元：第一單元介紹7世紀以來伊斯蘭世界與中國的文化交流與互鑒。其後各單元分別聚焦於薩法維王朝、莫臥兒王朝和鄂圖曼王朝，探討每個王朝的地毯和其他藝術品的設計和創作，並深入介紹皇家地毯和細結地毯的文化意義、跨區域知識傳播，以及本地特色。 來源: 西九文化區及香港故宮文化博物館 The Hong Kong Palace Museum successfully presented "The Arabian Carpets: The Intertwining of Islam and World Civilizations" from June 18 to October 6, 2025. This exhibition, "The Arabian Carpets," was Hong Kong's first to focus on cultural exchange between Islamic and Chinese civilizations, as well as the artistic achievements of Safavid Iran, Mughal India, and Ottoman Turkey. Co-organized by the Hong Kong Palace Museum and the Museum of Islamic Art in Doha under the Qatar Museums Authority, the exhibition featured approximately 100 precious artifacts, including carpets, porcelain, metalwork, painted manuscripts, and jade. The exhibit showcased artifacts from Safavid Iran, reflecting the three major early Islamic dynasties of the modern era—the Safavid (1501–1736), the Mughal (1526–1857), and the Mughal (1526–1857). The exhibition showcases the flourishing cultural and artistic exchanges between the Safavid (1501–1736), Mughal (1526–1857), and Ottoman (1299–1923) dynasties, facilitated by trade, migration, and diplomacy. It also highlights how Chinese and Islamic art mutually inspired each other. The exhibits primarily come from the Museum of Islamic Art in Doha, Qatar, but also include valuable collections from the Palace Museum and the Hong Kong Palace Museum. These include carpets from Ottoman Turkey and Mughal India, as well as ceramics, metalwork, manuscripts, and jade artifacts from the 10th to 19th centuries. These artifacts not only reflect the artistic exchanges between the three major Islamic dynasties—the Safavid (1501–1736), Mughal (1526–1857), and Ottoman (1299–1923)—but also demonstrate the close relationship between Islamic and Chinese civilizations. Close cultural and artistic exchanges and interactions were fostered through trade, migration, and diplomacy. "Islamic art" broadly refers to religious and secular artworks created by the Muslim community. Besides architecture, carpets are the largest and most representative form of Islamic art. As a major museum in the Middle East, the Museum of Islamic Art in Doha boasts a world-renowned collection of Islamic art. This exhibition, "Arabian Carpets," marks the first collaboration between the museum and the Hong Kong Palace Museum, a cultural landmark in Hong Kong. Many of the museum's precious collections have been moved from its permanent exhibitions to Hong Kong for the first time, providing local audiences with a rare opportunity to explore the magnificent world of Islamic art. Court carpets were meticulously crafted by highly skilled weavers and received substantial royal funding. Each carpet used the finest materials. The carpets, made with silk, Pashmina wool, gold, and silver threads, are dyed using dyes from around the world. The largest royal carpet in the "Arabian Carpets" exhibition required the combined efforts of up to ten skilled craftsmen over many years to complete. The exquisite carpets on display were all produced between the 16th and 18th centuries in Safavid Iran, Mughal India, Ottoman Turkey, and China. The exhibition is divided into four sections: the first section introduces the cultural exchange and mutual learning between the Islamic world and China since the 7th century. Subsequent sections focus on the Safavid, Mughal, and Ottoman dynasties, exploring the design and creation of carpets and other artworks from each dynasty, and delving into the cultural significance, cross-regional knowledge dissemination, and local characteristics of royal and intricately knotted carpets. Source: West Kowloon Cultural District and the Hong Kong Palace Museum