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Date: April 21, 2025 Title: Gate of Sweet Nectar • Talk 1 of 2 Event: SLOZC Sunday Morning Speaker: Roshi Kizan Shōgen Length: 46:29 Roshi Kizan Shōgen opens this Dharma talk by blowing the conch and chanting the opening lines of The Gate of Sweet Nectar, a liturgy developed by Roshi Bernie Glassman at the Zen Center of Los Angeles. Shōgen recounts the origins of the chant, and its music by Krishna Das. He then honors the Northern Chumash people and the land on which the sangha sits. Shōgen traces the Gate’s evolution — from early Buddhist sutras about Moggallana and Ananda’s compassionate acts toward beings in the hungry ghost realms, through its tantric expansions in Japan, to Bernie Glassman’s creative adaptation for Western practice. He explains the six realms of Buddhist cosmology and the relevance of the “hungry ghost” as a symbol of craving in our own lives. The talk concludes with reflections on how the Gate of Sweet Nectar continues to evolve as a living practice, inviting all beings — including our own forgotten and neglected parts — to the feast of awakening and compassion. Highlights • Demonstration of the conch and opening chant. • Krishna Das’s role in composing the Gate’s music and its cultural crossover. • Honoring the Northern Chumash, their land, and the connection to the “dance of life.” • The Gate’s mythic roots in Moggallana’s and Ananda’s compassion toward beings in the hungry ghost realm. • The six realms and their psychological parallels in daily life. • Bernie Glassman’s work translating and reshaping the liturgy for Western practice, blending Zen, Jewish, and social engagement traditions. • The inclusivity of the Gate — feeding not only the dead, but also forgotten aspects of ourselves and society. Chapters/Sections 0:00 - Conch shell and opening chant (“Calling out to hungry hearts…”) 1:00 - Krishna Das and the music of The Gate of Sweet Nectar 2:05 - Jeff Bridges, Ram Dass, and Bernie Glassman connections 2:53 - Easter, Passover, and acknowledging the Northern Chumash 4:41 - Standing Meditation and reflections on SLOZC member Rinkai and Native practices 5:41 - “Thus have I heard” — linking to Bernie Glassman’s teachings 7:05 - The Gate as ceremony — instruments, positions, and production 11:01 - Hesitations about staging and inspiration from street retreats 13:45 - Meaning of “Kanromon” — the “Gate of Sweet Nectar” 15:23 - Origins in the stories of Moggallana and Ananda 23:03 - The six realms of existence and the hungry ghost realm 25:53 - Bringing the realms into our present lives 29:21 - Suffering in the world — modern hungry ghosts 30:27 - Shingon and tantric influences on the liturgy 32:08 - Bernie Glassman’s translation and creative evolution 34:30 - Expanding the Gate to include all forgotten beings 35:09 - “Inviting all aspects of ourselves” — Bernie’s vision 36:40 - Closing verse and Jewish prayer influence 38:02 - Audience reflections — doing the Gate together 40:02 - Q&A — ongoing evolution of the liturgy 43:36 - Comparisons to communion 44:47 - Closing chants — The Four Great Vows