A Maze without a Plan? Display in Sir John Soane’s Museum by Bruce Boucher FSA скачать в хорошем качестве

A Maze without a Plan? Display in Sir John Soane’s Museum by Bruce Boucher FSA

Number 13, Lincoln’s Inn Fields has cast a spell over generations of visitors, evoking delight but provoking, at times, bafflement if not confusion. Its creator intended it to be a repository of all that was best for the formation of a modern architect; yet more generally the house and its collections were conceived as an academy for the enlightenment of the general public as well as a catalyst for the creation of new art by future generations. At the same time, it is much more than the sum of its parts and is one of the most intensely autobiographical statements conceived in three-dimensional terms. John Soane famously said that the works in his collection were arranged “as studies for my own mind”, but he never explained what he meant by that phrase. My talk attempts to illuminate Soane’s collection and his strategy for it through its display. While Soane’s architecture and intellectual development have been exhaustively studied, little attention has been given to his collections and what they tell us about Soane as a collector. Having served as director of the Soane for over seven and a half years, Bruce Boucher FSA has been able to delve into extraordinary documentary material around Soane and his museum in order to learn more about the enigma of John Soane. The fruit of his research will appear next spring in a book entitled John Soane’s Cabinet of Curiosities: Reflections on an Architect and his Collection (Yale University Press). The book examines the architect’s collection and its setting as a set of objects and interiors on the cusp between the Renaissance cabinet of curiosities and the post-Enlightenment museum. It is composed of a series of essays on themes within Soane’s collections that will offer a key to unlocking some of the mysteries around the biggest curiosity in the Museum: namely, Sir John Soane himself. Bruce Boucher was Director of Sir John Soane’s Museum from 2016 to 2023. He studied at Harvard University, Oxford University (Rhodes Scholar), and the Courtauld Institute of Art. He taught for over twenty years at University College London before entering the museum world as curator and head of European Sculpture, Decorative Arts, and Ancient Art at the Art Institute of Chicago (2002-2009). He is the author of a number of books, among them: The Sculpture of Jacopo Sansovino (1991), Andrea Palladio: The Architect in his Time (1994, revised, 1998 and 2007), Italian Baroque Sculpture (1998), and Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova (editor, 2001). He was Director of the Fralin Museum of Art at the University of Virginia from 2009-16. He has served on the steering committee or has been responsible for various exhibitions, including: Andrea Palladio (Haywood Gallery, 1975); The Genius of Venice (Royal Academy, 1983); Donatello e i suoi (Florence, 1986); Earth and Fire: Italian Terracotta Sculpture from Donatello to Canova (Museum of Fine Arts, Houston, and Victoria & Albert Museum, 2001-2002). He is a corresponding member of the Ateneo Veneto in Venice, a former president of the board of the Center for Palladian Studies in America, a former member of the Association of Art Museum Directors, and a Fellow of the Society of Antiquaries. He is currently at work on a book about Sir John Soane as a collector. His latest book, John Soane’s Cabinet of Curiosities: Reflections on an Architect and His Collections, was published by Yale University Press in 2024. This lecture was sponsored and hosted by the Society of Antiquaries of London in its apartments at Burlington House, Piccadilly, London. The Society recorded the proceedings and, with permission of the speaker(s), made them available online here, and on its website at www.sal.org.uk. All rights reserved.