About My ‘‘Possente amor mi chiama Rigoletto Giuseppe Verdi‘’ скачать в хорошем качестве

About My ‘‘Possente amor mi chiama Rigoletto Giuseppe Verdi‘’

About My ‘‘Possente amor mi chiama Rigoletto Giuseppe Verdi‘’ 1 — My friend said (he claims to be a voice teacher): “And the winner is Alfredo Kraus! Elegance, perfect intonation in the ornamentations, and the top notes are placed with absolute precision. — Ralf Willershäuser” 2 — My reply: Judging from your photo, I cannot be certain that your breathing technique is correct. I agree with your point about Kraus: his elegance, the precise intonation in his ornamentations, and the accuracy of his top notes are indeed his strengths. However, he also has the bad habit of pushing the sound. This causes a lack of internal airflow and fluidity. He himself advocated the so-called diaphragmatic breathing, but this method does not fully activate proper breath support. Kraus’s high notes always fill the mask, nasal cavity, and forehead. But correct high notes should come from a deep head resonance — like Caruso’s. His breathing is too shallow, and he constantly pushes the sound forward from the throat, mask, and forehead. This is not the correct method.