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Beyond Salsa Piano Volume 9 - Iván "Melón" Lewis - Part 4 (Timba Piano)

Download BSP Volume 9 PDF sample here = http://goo.gl/rMESPf Purchase Links here: http://goo.gl/hwZFlS Beyond Salsa Piano. Vol. 9 is the last of four books on Iván "Melón" Lewis, the phenomenal timba pianist of Issac Delgado's late-1990s group that also included bassist Alain Pérez, the subject of Beyond Salsa Bass, Volumes 6-9. Volume 9 is also the first in a new longer format, almost twice as long as Vol. 8 and containing a much larger selection of examples, including three extensive passages from Melón's cuerpo accompaniments. Table of Contents Introduction to the Series How the Series is Organized and Sold Book Audio Video Series Overview Companion Series Inside Cuban Percussion Beyond Salsa Percussion Introduction to Volume 9 Chapter 1: From Son Montuno to Timba Exercise 1 – Exploring Timba Piano Techniques and Tumbao Length Reviewing I-IV-V-IV in pre-1990 Cuban Music I-IV-V-IV Variation 1a – tracks 1 & 2 I-IV-V-IV Variation 1b – tracks 3 & 4 I-IV-V-IV Variation 1c– tracks 5 & 6 I-IV-V-IV Variation 1d – tracks 7 & 8 I-IV-V-IV Variation 1e – tracks 9 & 10 I-IV-V-IV Variation 1f – tracks 11 & 12 Exercise 2 – Controlled Improvisation With a Traditional Son Montuno Tumbao Chapter 2: Catalina – Melón’s I-IV-V-IV Variations Catalina 1a – tracks 13 & 14 Catalina 1b – tracks 15 & 16 Catalina 1c – tracks 17 & 18 Catalina 1d – tracks 19 & 20 Catalina 1e – tracks 21 & 22 Catalina 2a – tracks 23 & 24 Catalina 2 Transition – tracks 25 & 26 Catalina 2b – tracks 27 & 28 Catalina 2c – tracks 29 & 30 Catalina 2d – tracks 31 & 32 Chapter 3: Por la naturaleza Leonel Limonta’s Classic Freelance Compositions Por la naturaleza – tracks 33 & 34 Chapter 4: Melón’s Cuerpo and Fixed Montuno Style The Approach The Fixed Montuno Section Chapter 5: Se te fue la mano Issac Delgado’s Classic Compositions Se te fue la mano – Cuerpo and Fixed Montuno Section – Notes and Analysis Fingering Note 1: Playing Two Notes with the Thumb Se te fue la mano (cuerpo) – 16th note notation – Tracks 35 & 36 Se te fue la mano in Concert Se te fue la mano – Tumbaos Se te fue la mano 1a – Tracks 37 & 38 Se te fue la mano 1b – Tracks 39 & 40 Se te fue la mano 2 – Tracks 41 & 42 Se te fue la mano 3 – tracks 43 & 44 Se te fue la mano – motivo – tracks 45 & 46 Chapter 6: Con la punta del pie Con la punta del pie – Cuerpo and Fixed Montuno Analysis and Notes Con la punta del pie (cuerpo) – 16th note notation – Tracks 47 & 48 About Alain Pérez Con la punta del pie - Tumbaos Con la punta del pie – intro – tracks 49 & 50 Con la punta del pie 1a – Tracks 51 & 52 Con la punta del pie 1b – Tracks 53 & 54 Con la punta del pie 1c – Tracks 55 & 56 Con la punta del pie 1d – Tracks 57 & 58 Con la punta del pie 1e – Tracks 59 & 60 Con la punta del pie 2 – Tracks 61 & 62 Chapter 7: Pa’ que te salves (“La soga”) La soga – Cuerpo and Fixed Montuno Section – Analysis and Notes La soga – Tumbaos La soga 1a – tracks 65 & 66 La soga 1b – tracks 67 & 68 La soga 1c – tracks 69 & 70 La soga 2 – tracks 71 & 72 Chapter 8: La competencia (“Hit Parade”) La competencia 1 – motivo – tracks 73 & 74 La competencia 2a – tracks 75 & 76 La competencia 2b – tracks 77 & 78 La competencia 2c– tracks 79 & 80 La competencia 3 – tracks 81 & 82 Chapter 9: La temática La temática’s Harmonic Progression Controlled Improvisation on La temática La temática 1a – tracks 83 & 84 98 La temática Exercise 1 – tracks 85 & 86 La temática Exercise 2 – tracks 87 & 88 La temática 1b – tracks 89 & 90 La temática 1c – tracks 91 & 92 La temática 1d – tracks 93 & 94 La temática 1e – tracks 95 & 96 La temática Exercise 3 – tracks 97 & 98 La temática 1f – tracks 99 & 100 La temática 1g – tracks 101 & 102 La temática 2a – tracks 103 & 104 La temática 2b – tracks 105 & 106 La temática 2b – tracks 105 & 106 (8th note notation) Fingering Note 2 – Consecutive Octaves Chapter 10: Tú tranquilo Tú tranquilo 1a – tracks 107 & 108 Tú tranquilo 1b – tracks 109 & 110 Tú tranquilo 1c – tracks 111 & 112 Tú tranquilo 1d – tracks 113 & 114 Chapter 11: Me falta La Habana Me falta La Habana – tracks 115 & 116 Chapter 12: Movimiento and Latin Jazz Movimiento 1a – tracks 117& 118 Movimiento 1b – tracks 119 & 120 Photography Credits Looking Ahead For Further Study Suggested Reading Suggested Listening to Prepare for Subsequent Volumes Acknowledgments About the Author Earlier Volumes of Beyond Salsa Piano Continuing the Beyond Salsa Piano Course (fixed "b" version)