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I went looking for these scenes after spotting this sweet "Dear Diary" blip by Doug Joswick in the New York Times yesterday. The following is taken from this link: https://www.nytimes.com/2021/07/01/ny... "Dear Diary: "It was a beautiful spring Saturday in the 1970s. I had driven into the city from New Jersey for the day and was on the Upper West Side when my car started to sputter. "I stopped at a gas station, and the guy there said they could look at it, but not until Monday. So now I had to get back to New Jersey, but I had spent almost all the money I’d brought with me for the day. I only had 75 cents left — not even enough for a bus home. "I decided to call a friend who could, hopefully, come and get me. I saw a green phone booth outside a bar at the corner of 78th Street and Amsterdam Avenue. "Picking up the receiver, I noticed that it was unusually big and heavy. This is one really old phone, I thought to myself. "I dropped my last three quarters into the phone, but I didn’t get a dial tone. The phone was dead and now I had no money left. "I went into the bar, where the bartender chuckled and said the phone outside was a prop. It was for a scene in 'The Goodbye Girl,' which was being filmed on the block. "He gave me a few quarters. I dropped them into the bar’s pay phone and called my friend. Then I settled in to wait, and watched Marsha Mason do about a dozen takes on the street outside. "— Doug Joswick" My only issue with this account is that Marsha Mason must have filmed a scene that did not make it into the final cut of "The Goodbye Girl." I only found these two appearances of the prop phone booth with Richard Dreyfuss making the calls. The phone's number so urgently iterated by Dreyfuss, 873-5621, is not in service at this time in the (212) area code. That number would have fallen within the TRafalgar exchange.