JOSÉ CURA, "Andrea Chénier" -- Teatro Colón. 2017 скачать в хорошем качестве

JOSÉ CURA, "Andrea Chénier" -- Teatro Colón. 2017

JOSÉ CURA, "Andrea Chénier" - Teatro Colón. 2017 Live from Teatro Colón in Buenoa Aires on December 13, 2017. In December 2017, JOSÉ CURA closed out the year as Andrea Chénier at the Teatro Colón in a traditional production elevated by the passion and persuasion of the star, who received ovations from the audience and raves from the critics. Venue: Teatro Colón, Buenos Aires, Argentina Date: 5, 10, 13, and 16, December, 2017.. Andrea Chénier : JOSÉ CURA Carlo Gerard: Fabián Veloz Maddalena: María Pía Piscitelli Bersi: Gaudalupe Barrientos Mathieu: Hernán Iturralde Roucher: Emiliano Bulacios Incredibile: Sergio Spina Condesa Coigny: Cecilia Aguirre Paz Madelon: Alejandra Malvino , Fleville: Noberto Marcos , Abate: Iván Maier Music Director: Christian Badea Stage Director: Matías Cambiasso Set Design: Emilio Basaldúa Costume: Eduardo Caldirola Lighting Design: Rubén Conde, Choreographer: Carlos Trunsky Director of Coro Estable del Teatro Colón: Miguel Martínez , PERFIL...15 November 2020 --- INTERVIEW with JOSÉ CURA --- Q- What do you remember about Andrea Chénier's setting in 2017? What was so special about you? José Cura --- That was epic. --- I remember the call from the Theater at the last minute, which found me free because it coincided with my birthday and I usually leave my period unoccupied. I remember arriving and asking Matías Cambiasso what he wanted from me and him telling me the closest thing to “I entrust myself to your hands” that I heard in my life. And the fact is that the responsibility had fallen on the poor man without expecting it and there he was, sword in hand, fighting it. Together we took the show forward and, with its pros and cons due to the emergency, it ended up being a success with an emotional charge of the strongest that I remember, and I have not experienced a few ... To top it off, the room stood to sing me the "Happy Birthday". What else to ask for? MundoClasico --- The Teatro Colón ended this opera season with Andrea Chénier and a great performance by José Cura. This staging allowed the protagonists to find their highest tension point at the end of performance, creating a climate both passionate and frightening as the lovers were led to the guillotine. Cura had a wonderful night, precise in the middle voice and powerful in the high-note area. The singer from Rosario showed off his particular color of voice, which at this stage of his career is a true registered trademark listed on the stock exchange. A very good show. La Nación --- José Cura has a strong stage presence. Cura is a very good tenor, with a great handling of his vocal resources, with a solid stage presence and a tendency to randiloquence. Perhaps by the sum of these qualities, he captured and seduced both the audience and Maddalena in how he sang "Un di all'azzurro spazio.” Clarin --- The opera asks for good voices, and here it is, starting with José Cura in the leading role. Cura is intense and epic, even in some love duets, and he is definitely not a precious singer but his line is always firm and convincing and his personality radiates extraordinary strength. After the enthusiastic applause, the entire audience intoned Happy Birthday; José Cura turned 55 that same Tuesday, thanking the gesture with his hands to his heart and visibly moved. Forum Opéra --- On the night of the premiere, tenor José Cura performed Andréa Chénier, vocally and theatrically —an absolute triumph. Opera News --- The legendary Teatro Colón saved its production of ‘Andrea Chénier’ with ingenuity, oldfashioned craftsmanship and by enlisting Argentinian tenor José Cura, the international star who has also worked as stage director and conductor in Buenos Aires. Cura's upper notes rang full and silvery, and his acting improved as the guillotine moment approached. MW --- The fantastic and dramatic final duet, in which the lovers go to the guillotine, marks the synthesis of this excellent version offered by José Cura and María Pía Piscitelli in the leading roles. From the beginning, with “Un di all'azzurro spazio,” Cura showed his vocal power and his precise embodiment of the character of the poet without diminishment at any time. The audience celebrated with loud applause. Criticos Musicales de la Argentina --- The production of ‘Andrea Chénier’ showed us a very clever José Cura, great actor who managed his vocal resources with total wisdom culminating in a resounding fourth act. Criticos Musicales de la Argentina --- The tenor José Cura put all his experience at the service of the character, using his vocal resources with intelligence. Thus, his "Improvviso" maintained its lyrical essence and beauty in the expression, as did his aria "Come un bel dí di Maggio." As an actor, he showed emotion and conviction and his performance was highly celebrated by the audience.