Lynyrd Skynyrd ~ T For Texas скачать в хорошем качестве

Lynyrd Skynyrd ~ T For Texas

On August 21, 1976, Lynyrd Skynyrd gave a performance for the ages at the Knebworth Festival in Hertfordshire England. And we're not just talking a classic southern rock performance but one of the most memorable, charismatic yet exacting rock-and-roll shows, period. Thankfully the concert is now available in its entirety for the first time. "Live At Knebworth '76". But back to Knebworth, where Skynyrd blew everyone off the stage that day - yes, including headliners The Rolling Stones. In 1976 Skynyrd had been invigorated by the addition of new third guitarist Steve Gaines, who pushed fellow six-stringers Allen Collins and Gary Rossington to up their games. The three-man guitar work throughout the show is an incredible display. Collins' frenetic soloing, Rossington's slide and rhythm work, and Gaines' fitting perfectly in the middle provide a fiery, fully engrossing performance. It's also notable that singer Ronnie Van Zant did not provide any stage banter between songs. The group had a little over an hour to play, and they were going to make every second count. Van Zant was the band's legendary front man, bandleader and musical director. The outlaw dressed all in black, performing with bare feet, his famous western hat atop his head. Perhaps no one could command a stage while standing mainly in the same spot throughout a show. Van Zant's rough and ready vocals, ubiquitous calling in the dogs whistle and encouragement of his fellow band members has the audience enthralled. The band, Collins especially, was champing at the bit to start the show, barely containing his enthusiasm to hit the first note. You knew something special was about to take place. As soon as the group launched into opener "Workin' for MCA" they made the festival crowd at Knebworth their own intimate honky tonk bar. Van Zant is in especially fine form vocal-wise and Powell's rollicking piano augments the edgy rocker. The band then switch gear into road dogs mode with the upbeat "Whiskey Rock-A-Roller" and the swing of "Travelin' Man," which features a swampy bass intro and some fluid work by Wilkeson and Pyle's strong, athletic drumming. The renowned honky tonk of "Gimme Three Steps" follows, the three-guitar wrecking machine of Collins, Rossington and Gaines again taking control. A couple of covers are next, with the band giving new energy to J.J. Cale's "Call Me the Breeze" and Jimmie Rodgers' " T for Texas." It's then into the home stress with a joyful, exuberant rendition of "Sweet Home Alabama." Finally, it's "Free Bird" time. Skynyrd turns in one of its most memorable performances of the plaintive turned joyous celebration of rock-and-roll, a true all-time classic. It's a physically and emotionally powerful tune, the highlight of course being the ultimate guitar solo trade-off that is the song's grand finale. The Stones only had one rule for opening bands at Knebworth: Do not go down the "tongue" ramp, a Stones stage feature that extended down near the crowd. Skynyrd, the bad boys they were, ignored this rule, Van Zant leading an at first hesitant Rossington and Collins down the ramp. While Mick may not have been pleased, he had bigger things to worry about: just how to follow a performance that took the house down. Turns out his band had no answer, as did most who took the stage after Skynyrd burned it down. We all know the story: only 14 months after Knebworth came the plane crash. The question of what could have been, especially after watching this performance, lingers 45 years on. But for now, just bask in this awesome, awe-inspiring show. Skynyrd at Knebworth 1976 is a revelation, chronicling a time when no one could top this band; no matter how hard they tried. If You'd Like To Help Support My Channels I Accept These Apps & I'm Forever Grateful: https://cash.app/$HonestReignn https://paypal.me/rachelanne88 BackUp Channel: Luminous Flux:    / @thunderkitty88   In its most general sense, a fair use is any copying of copyrighted material done for a limited and “transformative” purpose, such as to comment upon, criticize, or parody a copyrighted work. Such uses can be done without permission from the copyright owner. In other words, fair use is a defense against a claim of copyright infringement. If your use qualifies as a fair use, then it would not be considered an infringement. So what is a “transformative” use? If this definition seems ambiguous or vague, be aware that millions of dollars in legal fees have been spent attempting to define what qualifies as a fair use. There are no hard-and-fast rules, only general guidelines and varied court decisions, because the judges and lawmakers who created the fair use exception did not want to limit its definition. Like free speech, they wanted it to have an expansive meaning that could be open to interpretation. Most fair use analysis falls into two categories: (1) commentary and criticism, or (2) parody.