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MOVING MOVEMENT - DYLABY: the experimental exhibition Iconic exhibitions in the 20th century. At the start of the sixties, Willem Sandberg, then director of the Stedelijk Museum in Amsterdam, organised two exhibitions that are generally mentioned in one breath: Moving Movement and Dylaby. Both are ‘iconic’, in the sense that they have charged our collective consciousness with an image of freedom and experiment; an image that, in the second half of the decade, was applicable to social life. The machine art of the Swiss artist Jean Tinguely is now the symbol for freedom. But what was actually on view in Moving Movement? And how did Dylaby distinguish itself from traditional exhibitions? In this episode of the series ‘Iconic exhibitions in the 20th century’, philosopher Jan Bor, art historian Carel Blotkamp, critic Lily van Ginneken and the artist Zoro Feigl take the viewer back in time to find the answers to the questions above in old television pictures. They discuss the importance of the uncertain experiment: today, museums should still show things that are playful and innovative, but which cannot yet with any certainty be called ‘art’. The speakers’ arguments are substantiated by sources from the history of Dutch radio and television.