“The Meta-Horn Project 2025” Demo 3 – Front horn скачать в хорошем качестве

“The Meta-Horn Project 2025” Demo 3 – Front horn

Demo 3 – Front horn Track 1 (00:00) Ed Bland: Mating Dance (Delos DE4030) Danilo Lozano, flute / Virtual World Percussion Ensemble / Ed Bland Track 2 (01:36) David Popper: Serenade (Spanish Dance) Op.54, No.2 (Delos DE3065) Janos Starker, cello / Shigeo Neriki, piano Track 3 (03:56) May The Heavens Rejoice – Traditional Klezmer music (Delos DE4005) Track 4 (05:45) T. Deering: It’s Not Easy Being White (Delos DE4004) Joe Williams and Friends Track 5 (06:50) York, A: Bantu (Delos DE3163) Los Angeles Guitar Quartet Track 6 (07:58) Manuel de Falla: The Three-Cornered Hat (Delos DE3060) Della Jones, mezzo-soprano/ London Symphony Orchestra / Gerald Schwarz Track 7 (10:45) Fritz Kriesler: Liebesleid (Delos DE3116) Leonidas Kavakos, violin / Peter Nagy, piano Track 8 (12:52) Hupfeld: As Time Goes By (Delos DE4002) Mavis Rivers / Matt Catingub’s Quintet Track 9 (14:48) Ferde Grofe: On The Trail from Grand Canyon Suite (Delos DE3104) Seattle Symphony Orchestra / Gerald Schwarz Digital source: Restek Radiant CD Player Power amplifier: Neohipo BP10 dual mono bridged 100W x2 About The Meta-Horn Project 2025: It all started with my inquisitive nature. “Why does the horn of a horn speaker always have to be flared and curving outwards?” “Why can’t it be a dome shape horn, since most cathedrals and churches with domes sound acoustically more heavenly than others?” “Why is the horn always at the front? Why can’t it be at the rear? (No, I don’t mean back-loaded horn.) And why not double horn, both front and rear?” That’s the birth of the Meta-Horn Project. It is not meant to defy anything that has been well tested and proven, as in the Klipsch and the Avant-Garde horn speakers. It’s just my humble, small scale study to probe into the unknown territories in horn speaker design. The project will track the various stages of building up a horn speaker with the same full-range driver, and compare the acoustic performance of the different configurations. 1. Open baffle: To gauge the basic performance of the naked driver. 2. Ported tube: The same driver mounted in a cylindrical tube with bass-reflex port at the rear. 3. Front horn: Keeping the bass-reflex port, a dome-shape horn is added to the front of the enclosure. 4. Rear horn: With the front horn and the bass-reflex port removed, a much bigger bowl-shape horn is added to the rear of the tubular enclosure. 5. Double horn: Combining both the front and rear horns. Driver: Aiyima 3” full-range / frequency response 80 to 20,000 Hz Cylindrical tube enclosure: diameter 4.5” / length 15” Dome-shape front horn: diameter 9” / depth 4” Bowl-shape rear horn: diameter 14” / depth 5” Playback soundtrack recorded with Pixel 6a.