An der schönen blauen donau - The Beautiful Blue Danube - André Rieu and his Johann Strauß Orchestra скачать в хорошем качестве

An der schönen blauen donau - The Beautiful Blue Danube - André Rieu and his Johann Strauß Orchestra

André Rieu and his Johann Strauss Orchestra revive Viennese elegance with radiant violins and graceful dance on the stage of the Vrijthof Maastricht with ‘The Beautiful Blue Danube’.    • André Rieu en zijn Johann Strauß Orkest   “The Blue Danube” (German: An der schönen blauen Donau), Op. 314, is the quintessential Viennese waltz by Johann Strauss II, composed in 1866. First sung on 15 February 1867 by the Vienna Men’s Choral Association with words by Joseph Weyl, Strauss soon fashioned the purely orchestral version for the Paris World’s Fair that same year—this is the form we treasure today. Musically, it begins with a luminous A-major introduction—tremolo strings and a noble horn call—before unfolding into five seamlessly linked waltz themes in D major, each more graceful than the last, and capped by a jubilant coda. Though listeners know it as one waltz, it’s actually a suite of five interwoven dances, a hallmark of Strauss’s compositional genius. Beyond the concert hall it’s omnipresent: hailed as Austria’s “second national anthem,” it closes every New Year’s Day Concert in Vienna, drifts through hotel lobbies and cafés all year round, and evokes the grandeur of the Habsburg ballroom at every turn. Core Identifiers • The Blue Danube / An der schönen blauen Donau ­– The piece’s English / German titles. The German original highlights the river’s “beautiful blue” allure. • Johann Strauss II ­– “The Waltz King” himself, who turned dance-hall tunes into high art. • Op. 314 ­– Strauss’s own catalog number; a neat shorthand for publishers, orchestras and record-labels. Historical Context • 1866/1867 premiere ­– Composed in 1866, first performed as a choral waltz on Feb 15, 1867 in Vienna. • Vienna Men’s Choral Association ­– The choir that debuted the original vocal version, with lyrics by Joseph Weyl. • Joseph Weyl (lyrics) / Franz von Gernerth text ­– Two different sets of words Strauss used before settling on the purely orchestral score. • Paris World’s Fair, 1867 ­– Where Strauss unveiled the instrumental version that swept Europe. Musicology & Structure • Viennese waltz ­– The specific 3/4-time style (accent on 1, lighter on 2 & 3) that defines the genre. • A-major introduction / D-major waltz themes ­– Signature key shifts: a stately A-major opening gives way to five interconnected dances in D. • Tremolo strings & horn call ­– Those shimmering tremolos and bold brass fanfares set the noble, “river at dawn” mood. • Five-part waltz suite / coda ­– It’s not one tune but five themes, woven together, capped by a rousing closing flourish. Performance & Recordings • Orchestral version / choral version ­– Today’s concerts use the purely orchestral score; original audiences knew it with choir. • New Year’s Concert tradition ­– The Strauss family waltz that wraps every Vienna Philharmonic New Year’s broadcast. • André Rieu Schönbrunn performance ­– A modern crowd-pleaser filmed at Schönbrunn Palace—hundreds of millions of views online. Cultural Impact & Pop Culture • Habsburg ballroom music ­– The waltz sound-track for 19th-century imperial balls, parks (Prater) and cafés. • 2001: A Space Odyssey soundtrack ­– Kubrick famously uses it to blend elegance with cosmic mystery. • Austrian national anthem (informal) ­– Often called Austria’s “second national anthem” for its instant recognizability. • River-inspired music / Danube imagery ­– Evokes flowing water so vividly you can almost see Vienna’s broad, blue ribbon. SEO & Long-Tail Phrases • “how Strauss’s Blue Danube waltz was composed” ­– For readers curious about Strauss’s draft sketches, revisions and orchestrations. • “why is the Danube called blue” ­– Taps into geology, optics, and folkloric lore behind the river’s hue. • “best recordings of Blue Danube” ­– Compare classic Philips/VPO cycles, Magyar State Opera, André Rieu and more. • “Blue Danube in film and pop culture” ­– Catalogs every Spielberg, Woody Allen or TV ad that’s ever borrowed those opening bars. Next-level angles you might explore: – How the waltz shaped Vienna’s urban identity and even its park-design. – The physics of 3/4 time: why three beats feel so buoyant and dance-friendly. – Mapping Strauss’s travels: how touring France, England and Russia influenced his sound. – A deep dive into Strauss’s orchestration tricks—why two horns, three violins and one harp hit so perfectly in that intro. #classicalmusic #andrerieu #johanstraussorchestra