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Unify Sound, Creation, Recording and Reproduction

The video discusses the challenge of unifying the various elements of instruments, sound reinforcement and playback to enhance engineering and sound system design. The speaker emphasizes the importance of understanding the complexities and nuances of sound capture and reproduction, including mic placement and the use of multiple perspectives. They explain the downsides of sending the same sound to multiple speakers, which creates comb filtering, interference, and summation issues. Techniques for capturing room sound during music recordings are also discussed, along with alternative approaches such as using close mic'ing and adding realistic-sounding reverbs in post-production. The speaker concludes with a demonstration of a Columbia graphophone from 1890 and talks about the mechanisms of horns as acoustic transformers. The video ends with a musical segment featuring the Death Fighter 2000 or DB. If you like this and other videos I do, please join this channel to get access to more videos, early access to videos as well as to be able to join my weekly zoom chats:    / @daverat   Also check out: http://www.soundymcsoundface.com https://www.ratsoundsales.com/ https://ratsound.com/daveswordpress/ https://www.ratsound.com/ http://www.soundtools.com 00:00 Chaos vs Fidelity 02:41 Create, Capture, Reproduce 03:52 Instruments vs Point Sources 05:05 Sound Systems vs Point Sources 06:27 Bands vs Point Source 07:06 Pure Tones vs Overtones 09:55 Capturing Sonic Perspectives 11:57 Multiple Identical Perspectives 13:52 Creating a Single Perspectives 16:15 Avoid Repetition 17:58 Don't Amplify the Room in the Room 21:04 Portable Music in 1890 26:34 Death Biter 2000