Erik Satie ~ Gymnopedie No. 1 скачать в хорошем качестве

Erik Satie ~ Gymnopedie No. 1

The Gymnopédies, or Trois Gymnopédies, are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel Salammbô, while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first Gymnopédie was published in the magazine La Musique des familles in the summer of 1888 together with an excerpt of Latour's poem Les Antiques, where the term appears. Oblique et coupant l'ombre un torrent éclatant Ruisselait en flots d'or sur la dalle polie Où les atomes d'ambre au feu se miroitant Mêlaient leur sarabande à la gymnopédie Slanting and shadow-cutting a bursting stream Trickled in gusts of gold on the shiny flagstone Where the amber atoms in the fire gleaming Mingled their sarabande with the gymnopaedia. However, it remains uncertain whether the poem was composed before the music. Satie may have picked up the term from a dictionary such as Dominique Mondo's Dictionnaire de Musique, where gymnopédie is defined as a "nude dance, accompanied by song, which youthful Spartan maidens danced on specific occasions", following a similar definition from Jean-Jacques Rousseau's Dictionnaire de Musique. In November 1888, the third Gymnopédie was published. The second Gymnopédie did not appear until 1895, and its impending publication was announced in several editions of the Chat Noir and Auberge du Cloumagazines. As a whole, the three pieces were published in 1898. Pierre Puvis de Chavannes' symbolist paintings may have been an inspiration for the atmosphere Satie wanted to evoke with his Gymnopédies.