У нас вы можете посмотреть бесплатно PHILIPA ROTHFIELD #51. The Improvisors Podcast (See Bio below) или скачать в максимальном доступном качестве, видео которое было загружено на ютуб. Для загрузки выберите вариант из формы ниже:
Если кнопки скачивания не
загрузились
НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием видео, пожалуйста напишите в поддержку по адресу внизу
страницы.
Спасибо за использование сервиса ClipSaver.ru
Neil Thomas and Kevin Jeynes team up to interview Performance Improvisors from a wide range of approaches, disciplines and genres. Enjoy this invaluable expanding resource, an archive of performer histories and reflections. SUBSCRIBE to receive fortnightly YouTube podcasts. The first 35 Podcasts are NOW AVAILABLE on SPOTIFY…with the other 16 soon to be there!!! Have a listen. https://open.spotify.com/episode/5TMm... PHILIPA ROTHFIELD Philipa is a contemporary dancer and dance maker, dramaturg, dance reviewer, and performance judge with a profile as author, published feminist, creative advisor and public intellectual. She was a member of Margaret Lasica’s Modern Dance Ensemble for over ten years and performed with Dance Exchange (dir. Russell Dumas) for five years. She was Creative Advisor at Dancehouse for several years, co-editor of The Dancehouse Diary, and occasionally teaches dance at the Victorian College of the Arts. She was Chair of the Green Room Awards Dance Panel and serves as judge for Dance and Physical Theatre at the Melbourne Fringe Festival. She was co-chair of the Choreography and Corporeality Working Group of the International Federation of Theatre Research for 8 years. With over 70 dance and theatre reviews to her name (RealTime Magazine, The Saturday Paper, Witness Performance), she has represented Australia at the Seoul International Dance Festival. She is the author of Dance and the Corporeal Uncanny, Philosophy in Motion (2021), co-author of Practising With Deleuze (2018), co-editor of Choreography and Corporeality (2016), and co-editor of Competing Choreographies, 10 Years of the Keir Choreographic Award (2024). She is also Honorary Professor in Dance and Philosophy of the Body, at the University of Southern Denmark. Image: Tilly Parsons My Mum is a Witch (2024)