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Mozart's in the house! A transcription of the Turkish March (Rondo Alla Turca) for the organ I wrote and performed myself. This is an exercpt from the live recording on the 28th of May on the Organ-Truck in Greifensee. We toured Switzerland with this truck for weeks now and played for the elderly and other people who weren't allowed to leave their home. Here I'm playing in front of a crowd that spontaneously gathered in the streets and recorded the whole performance with a GoPro strapped to my chest so you can have a POV of Mozart. Many thanks to Cameron Carpenter for his patronage, Martinu Festtage for the realisation of the project and to Rotary Distrikt 2000 for their backing of the Orgel-Truck! Without you, all of this wouldn't be possible. - Thank you for liking, subscribing and checking out my channel! It's greatly appreciated! https://www.leonart.com / leonart.music https://www.fb.me/leonart.official - Bio: Nenad Leonart is a musician based in Switzerland. He was born in Nis, Serbia, where he started to play piano when he was six years old. In 2001 he continued learning the piano with Robert Kolinsky at the Musikschule Konservatorium Zürich. He started early with public performances, as a soloist as well as a chamber musician and claimed several first prizes at the Schweizerischer Jugendmusikwettbewerb and at the Zürcher Musikwettbewerb. After studying piano for two years with Konstantin Scherbakov at the ZHdK he moved his focus to old music and restarted his music studies on the harpsichord in Zurich with Michael Biehl. He graduated with honor his Bachelor of Arts and his Master Pedagogy studies and continues his studies in his second Master of Performance on the harpsichord. Since last year, he has started his own series of concerts in his home studio in Greifensee and he has moved into the music video production business. - The Piano Sonata No. 11 in A major, K. 331 / 300i, by Wolfgang Amadeus Mozart is a piano sonata in three movements. Mozart likely composed the sonata while in Vienna or Salzburg by around 1783, although Paris and dates as far back as 1778 have also been suggested. The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332). I. Andante grazioso Since the opening movement of this sonata is a theme and variation, Mozart defied the convention of beginning a sonata with an allegro movement in sonata form. The theme is a siciliana, consisting of two 8-measure sections, each repeated, a structure shared by each variation. The tempo marking is Andante grazioso (walking pace, gracefully). It is in the key of A major. II. Menuetto The second movement of the sonata is a standard minuet and trio movement in A major. The minuet is 40 measures long, and the trio is 52. III. Alla turca – Allegretto The last movement, marked Alla turca, popularly known as the "Turkish Rondo" or "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. The third movement is a rondo in the form A–B–C–D–E–C–A–B–C–coda, with each section (except the coda) being repeated. Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment. It is eight measures long. Section B: This section introduces new material in a melody in thirds and eighth notes before varying the A section with a crescendo before falling back to piano. Section C: A forte march in octaves over an arpeggiated chord accompaniment. The key changes to A major. Section D: A piano continuous sixteenth note melody over a broken-chord accompaniment. This section is in F♯ minor. Section E: A forte scale-like theme followed by a modification of section D. Coda: A forte theme consisting mostly of chords (arpeggiated and not) and octaves. There is a brief piano restatement of the theme in the middle of the coda. The movement ends with alternating A and C♯ octaves followed by two A-major chords. - Show me some support by liking the video and subscribing to his channel! It doesn't cost you anything and helps me produce and promote more content like this. Thanks! For more quality music follow me on Facebook and Instagram: / leonart.music / nenad-leonart-110544530680258 https://leonart.com I'll regularly be posting new quality content with baroque music. #leonart #mozart #organ #orgel #classical #nenadleonart #leonartmusic #allaturca #johannus #sonata #kv331 #rondoallaturca