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Anton Bruckner (4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Please support my channel: https://ko-fi.com/bartjebartmans Symphony No. 7 in E major, WAB 107 Original version (1881-83) I. Allegro moderato (0:00) II. Adagio. Sehr feierlich und sehr langsam (18:23) III. Scherzo. Sehr schnell (39:27) IV. Finale. Bewegt, doch nicht schnell (48:51) Royal Concertgebouw Orchestra conducted by Bernard Haitink Symphony No. 7 in E major (WAB 107) is one of his best-known symphonies. It was written between 1881 and 1883 and was revised in 1885. It is dedicated to Ludwig II of Bavaria. The premiere, given under Arthur Nikisch and the Gewandhaus Orchestra in the opera house at Leipzig on 30 December 1884, brought Bruckner the greatest success he had known in his life. The symphony is sometimes referred to as the "Lyric", though the appellation is not the composer's own, and is seldom used. 1883 version This was the version performed at the work's premiere. Unfortunately it survives only in one autograph copy which includes later changes by Bruckner and others, so the exact contents of this version are lost. This version is unpublished. 1885 version Gutmann edition (published 1885) Some changes were made after the 1884 premiere but before the first publication by Gutmann in 1885. It is widely accepted that Nikisch, Franz Schalk and Ferdinand Löwe had significant influence over this edition, but there is some debate over the extent to which these changes were authorized by Bruckner. These changes mostly affect tempo and orchestration. Haas edition (published 1944) Robert Haas attempted to remove the influence of Nikisch, Schalk and Löwe in order to retrieve Bruckner's original conception of the symphony. Haas used some material from the 1883 autograph but because this autograph also includes later changes much of his work was the product of conjecture. The most prominent feature of Haas's edition is the absence of cymbals, triangle and timpani in the slow movement: Haas asserted that Bruckner decided to omit the percussion, a claim scholar Benjamin Korstvedt deems "implausible". Nowak edition (published 1954) Leopold Nowak kept most of the changes in the 1885 Gutmann edition, including the percussion. He reprinted the tempo modifications from Gutmann but placed them in brackets. Some performances of this edition omit the cymbal clash at the climax of the slow movement, although it is included in the printed score. An arrangement of this symphony for chamber ensemble (consisting of 2 violins, viola, cello, bass, clarinet, horn, piano 4-hands, and harmonium) was prepared in 1921 by students and associates of Arnold Schoenberg, for the Viennese "Society for Private Musical Performances": Hanns Eisler (1st and 3rd movements), Erwin Stein (2nd mvt.), and Karl Rankl (3rd mvt). The Society folded before the arrangement could be performed, and it was not premiered until more than 60 years later. This symphony has also an unfortunate past as it was one of Adolf Hitler's favorite works. According to Frederic Spotts' Hitler and the Power of Aesthetics, Adolf Hitler compared this symphony favorably with Beethoven's Ninth Symphony. When he consecrated a bust of Bruckner at Regensburg's Walhalla temple in 1937, the Adagio from the Seventh was played as Hitler stood in quiet admiration. A recording of the Adagio was played before the official radio announcement of the German defeat at Stalingrad on 31 January 1943 and before Reich President Karl Dönitz announced Hitler's death on Radio Berlin on 1 May 1945; a recording by Furtwängler was used.