Mozart - 12 Variations on 'La bergère Célimène', K.359/374a [Szeryng/Haebler] скачать в хорошем качестве

Mozart - 12 Variations on 'La bergère Célimène', K.359/374a [Szeryng/Haebler]

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: https://ko-fi.com/bartjebartmans 12 Variations in G major on 'La bergère Célimène', K.359/374a (1781) 1. Thema: Allegretto (0:00) 2. Variation I (0:55) 3. Variation II (1:48) 4. Variation III (2:38) 5. Variation IV (3:28) 6. Variation V (4:22) 7. Variation VI (5:16) 8. Variation VII (6:12) 9. Variation VIII: g minor (7:14) 10. Variation IX (8:45) 11. Variation X (10:11) 12. Variation XI: Adagio (11:02) 13. Variation XII ed ultima: Allegro (13:30) Henryk Szeryng, violin and Ingrid Haebler, piano The Variations in G major on ‘La bergère Célimène’, K359, were composed in the summer of 1781, probably for Countess Maria Karolina Rumbeke, who was Mozart’s first piano pupil after his arrival in Vienna in March of that year. Mozart will have found the melody, together with that of another variation work for piano and violin, Auprès d’une source (K360), written around the same time, among the collections put together by the castrato and composer Antoine Albanese. The theme of the chanson ‘La bergère Célimène’ is of utmost simplicity. Its second half comes to a momentary rest on a fermata which also features in the variations themselves, and Mozart may have expected the player to improvise miniature cadenzas at these points. Of the twelve variations, the third is a piano solo with a left-hand part in constant semiquavers, while the seventh is a forceful march in the minor. The penultimate variation is an adagio whose ornate piano melody is accompanied in pizzicato; and the work ends with an allegro which transforms the gavotte-like melody into a livelier rhythm.