Скачать с ютуб Elo Dillite Nizamuddin Aulia | Arman Fakir | Bangla Folk Dunia в хорошем качестве

Elo Dillite Nizamuddin Aulia | Arman Fakir | Bangla Folk Dunia

Elo Dillite Nizamuddin Aulia | Arman Fakir | Bangla Folk Dunia Hasan Ali Chishti was written this song. This Song Sung by Arman Fakir in a live performance. Kori Mona Kam Chare Na | Kartik Das Baul    • Kori Mona Kam Chare Na | Kartik Das B...   About Nizamuddin Auliya: Muhammad Nizamuddin Auliya also known as Hazrat Nizamuddin, was a Sufi saint of the Chishti Order and arguably one of the most famous Sufis on the Indian Subcontinent. He was born in Badayun, Uttar Pradesh (east of Delhi). At the age of five, after the death of his father, Syed Abdullah bin Ahmad AlHussaini Badayuni, he came to Delhi with his mother, Bibi Zulekha. His biography finds mention in Ain-i-Akbari, a 16th-century document written by Mughal Emperor Akbar’s vizier, Abu'l-Fazl ibn Mubarak. At the age of twenty, Nizamuddin went to Ajodhan (the present Pakpattan Sharif in Pakistan) and became a disciple of the Sufi saint Fariduddin Ganjshakar, commonly known as Baba Farid. Nizamuddin did not take up residence in Ajodhan but continued with his theological studies in Delhi while simultaneously starting the Sufi devotional practices and the prescribed litanies. He visited Ajodhan each year to spend the month of Ramadan in the presence of Baba Farid. It was on his third visit to Ajodhan that Baba Farid made him his successor. Nizamuddin lived at various places in Delhi, before finally settling down in Ghiyaspur, a neighbourhood in Delhi undisturbed by the noise and hustle of city life. He built his Khanqah here, a place where people from all walks of life were fed, where he imparted spiritual education to others and he had his own quarters. Before long, the Khanqah became a place thronged with all kinds of people, rich and poor alike. Many of his disciples achieved spiritual height, including Shaikh Nasiruddin Chirag Delhavi,[6] and Amir Khusro,[5] noted scholar/musician, and the royal poet of the Delhi Sultanate. He died on the morning of 3 April 1325. His shrine, the Nizamuddin Dargah, is located in Delhi. Lyrics: Dhonno Dhonno Mera (2) Silsila Elo Dillite Nizamuddin Aulia (2) Soyone Sopone Dekhi Ashilo Ek Bujurgan Rastar Majhe Koto Loke Koriteche Sondhan (2) Rasta Thamaye Dilo (2) Kafela Elo Dillite Nizamuddin Aulia (3) Manot Korechi Ami Boro Pirer Dorbare Kemon Kore Dibo Chador Deho Olir Mazare (2) Rasta Thamaye Dilo (2) Kafela Elo Dillite Nizamuddin Aulia (3) Hasane Koy Lalmia Vai Kono Khobor Paicho Ni Balur Ghate Ke Ashilo Esrail Shah Nizami (2) Rasta Thamaye Dilo (2) Kafela Elo Dillite Nizamuddin Aulia (3) Dhonno Dhonno Mera (2) Silsila Elo Dillite Nizamuddin Aulia (2) “Bangla Folk Dunia” Is A Channel Where We Present You Folk Songs. Youtube: http://bit.ly/2qfRvUv Facebook: http://bit.ly/2qeqlhL Twitter: http://bit.ly/2HirJXV Plus.Google: http://bit.ly/2GGDRAZ We Believe That Folk Song Is Our Soul. Folk Song Is Our Tradition. The Middle Ages Saw A Mixture Of Hindu And Islamic Trends When The Musical Tradition Was Formalized Under The Patronage Of Nawabs And The Powerful Landlords Baro Bhuiyans. Our Focus On The Root Of Our Soul. That Is Why We Are Trying To Present You The Traditional Folk, Traditional Bangla Music, Bangla Folk Songs And Bangla New Songs. We Wish We Can Go Back You In The Root. We Wish We Can Go Back You In The Root. Fair Use Disclaimer: ================= This channel may use some copyrighted materials without specific authorization of the owner but contents used here falls under the “Fair Use” as described in The Copyright Act 2000 Law No. 28 of the year 2000 of Bangladesh under Chapter 6, Section 36 and Chapter 13 Section 72. According to that law allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." #BanglaFolk #Banglafolksongs Please Like, Comment And Share Our Video.