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PLEASE NOTE: If it is 7-8-2022 or after, my website no longer exists. Any patterns or PDF printouts mentioned in this video are no longer available. Sorry for any inconvenience. Currently I am still on Facebook: / zazusstitchart and here on YouTube: / zazusstitchart Artistic satin-stitching can make a big visual impact to an art quilt. Here I talk about how I use the technique and demonstrate it using both a computerized push-button machine, and a mechanical set-up with a turn dial. I talk about choosing beads and keeping embellishment plans realistic. I also position my flowers and leaves and stitch on my flowers with free-motion quilting. 0:00 Everything we do to our flowers needs to be done 3 times, so make a realistic plan you can finish. 0:42 I like to start thinking about my bead choices before I get to them. I like the beading to contrast and show from 5 or 6 feet away. 2:56 I may scatter beads across my sunny side up egg. I use glass beads. Here are a few tips for identifying beads. 3:45 Two United Methodist Church banners from 2007. 4:25 Satin stitching the way that I have used it in the past. 5:22 I use a #20 foot which has a groove to ride over your stitching. 5:46 Thread tests on a quilt sandwich. 6:16 I hop around and add 9 to 12 lines on each flower using my computerized machine. I stay off my brick area beyond my previous stitching. 6:49 A second pass can really neaten things up. beads can help too. I end each one in a point. 7:57 Close up. I pull up threads. Think through your process to anticipate trouble areas. I use a bobbin doing this satin stitching. 9:02 Different machines have different controls for stitch width. here are mine. I think you like the one you are used to using. Get email notifications: for the blog: http://www.zazusstitchart.com/mc4wp-f... 10:08 I add more on my flatbed and use up another bobbin. It is more agile. 11:12 Thinking about attachment and the final placement of flowers and leaves, etc... 11:20 I HEAT SET the flowers really quick using the manufacturer's instructions. We will do trapunto in the leaves and our holes in the background. 12:09 Trimming the background to prep for a 1/2-inch binding. Don't make the top too irregular, so it won't flop over. It shouldn't be too square, but it should be pleasing to the eye. 14:10 I put chalk reminders on my flower petals. It is good to let things rest and plan and visualize. 15:21 I tack my flower centers with needle and thread in 3 or 4 places for support. 16:02 Remove any pins from under your petals. 16:33 I want to go into the corners as much as possible to keep the flower from being too star shaped. You could use a regular foot, but baste first. 17:23 I go around more than once and overlap a little. My thread is variegated yellow and white. I trim as usual. 17:58 And there it is. Next time we will work on the leaves. Please like. Subscribe. Comment. Ask questions. Raw Edge Applique No Fusing | # 1 • Raw Edge Applique No Fusing | # 1 tea cozy... Raw Edge Applique | # 2 Intuitive Sewing Basics: • Raw Edge Applique | # 2 Intuitive Sewing B... Raw Edge Applique | # 3 Finishing: • Raw Edge Applique | # 3 Finish Bind | tea ... To check out my fiber art techniques playlist: • Fiber Art Techniques | Zazu's Stitch Art Art Bag OUT Recycled IN Jeans-lined Tote Series: • Art Bag OUT Recycled IN Jeans-lined Tote S... To learn more about my favorite tools for the techniques I do, please watch 12 Pro Tips to go from Homemade to Handmade: • 12 Pro Sewing and Quilting Hacks | Make It... My best pro sewing tip: • Pro Sewing Hacks: #14 | Pinless Mitered He... My most popular gift project: • Hem Fabric Napkins Like a Pro with pinless...