Shostakovich: Violin Concerto No. 1 in A minor, Op. 77 (Piano Accompaniment)-I. Nocturne. Moderato скачать в хорошем качестве

Shostakovich: Violin Concerto No. 1 in A minor, Op. 77 (Piano Accompaniment)-I. Nocturne. Moderato

Shostakovich: Violin Concerto No. 1 in A minor, Op. 77 (Piano Accompaniment)-I. Nocturne. Moderato ♩=76, A minor, 4/4 time, Ternary form(Analysis) Shostakovich’s Violin Concerto No. 1 in A minor, Op.77 was composed between 1947 and 1948 and dedicated to David Oistrakh, with its premiere taking place in Leningrad in 1955. This concerto departs from the traditional concerto form, adopting a symphonic four-movement structure, in which the solo violin and orchestra interact as equals while conveying intense psychological expression. Throughout the work, there is a strong contrast of emotions and inner tension, with interplay between minor and major tonalities, dramatic rhythms, melodic motifs, repetition, and variation techniques, creating a unique musical narrative. Moreover, the concerto was composed against the backdrop of political oppression and personal inner conflict, and Shostakovich expresses his characteristic irony, satire, and the solitude of the human psyche through musical language. These features elevate the work beyond a mere concerto, granting it the stature of a dramatic, narrative, symphonic piece, and securing its important place in 20th-century music history. I. Nocturne. Moderato ♩=76, A minor, 4/4 time, Ternary form The first movement maintains a slow and calm atmosphere, with the solo violin presenting the theme as an inner monologue, conveying a sombre and solemn emotional character. In the A section, the theme appears stable and lyrical, while in the B section, harmonic and rhythmic changes along with an expanded range create tension and contrast. In the returning A' section, the initially presented theme is recapitulated with variations and ornamentation, bringing the movement to a resolution and relieving the tension. The solo violin and orchestra engage in a dialogue that goes beyond a simple melody-accompaniment relationship, sharing both tension and emotional expression. Throughout the movement, Shostakovich’s characteristic inner solitude and emotional complexity are revealed, making the first movement serve as a psychological and narrative starting point for the entire concerto. 00:02 Introduction 02:00 Theme 1 (A section) 03:04 Transition 03:44 Theme 2 (B section) 05:26 A' Return (A' section) 08:51 Coda ■ Enjoying the Whole Movement    • Видео   ■ (Analysis) Shostakovich: Violin Concerto No. 1 in A minor, Op. 77 https://suhkyung61.tistory.com/259 https://cafe.naver.com/suhkuyung67/4173