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Everyone's new favorite polka-dot math rock duo. They're incredibly tight live and their KEXP performance is impressive! Here's their most popular song from those pieces transcribed by me completely by ear, in 24-TET (or quarter tones). Hopefully I still caught the wave of enthusiasm. I write out multiple electric guitar staves to represent the extensive looping that's created. In Sarniezz there's two neat spots where the rhythm changes, one switches from 6/8 to 4/4, re-contextualizing the same riff in a three bar phrase, and the other is a 3/8 bar that shifts looped material backwards, giving it a more cadential vibe for the ending. You could say a lot of the material is in E mixolydian with microchromatic movements. Original video: • Angine de Poitrine - Sarniezz (Live on KEXP) Transcription PDF: / angine-de-151080647 If you want to support my work (creating an obscenely helpful amount of microtonal transcriptions, covers, podcast episodes, compositions, and theory!) you can support me on Patreon here! Patreon: / nowandxen Thank you xenharmonic patrons, as well as the xenharmonic gods: Graio Peter Jung Jun-Dai Bates Kobashigawa Naren Ratan Matthew Sheeran Hector McGuffin LELAND O WEIGEL amy coleman Jill Weigel Tina Harmon Carteaux My stuff: Website: https://www.stephenweigelcomposerperf... SoundCloud: / overtoneshock Bandcamp: https://stephenweigel.bandcamp.com/ Instagram: / stephenweigel TikTok: https://www.tiktok.com/@stephenweigel... #microtonal #mathrock #psychrock #transcription #kexp #xenharmonic #angina #pectoralis