Antonio Maria Montanari (1676-1737) - Violin Concerto 'Dresden' скачать в хорошем качестве

Antonio Maria Montanari (1676-1737) - Violin Concerto 'Dresden'

Autor: Antonio Maria Montanari (1676-1737) Obra: Violin Concerto 'Dresden' Intèrprets: Johаnnеs PrаmsohIеr (violin); EnsеmbIe Didеrot Pintura: Anton Domenico Gabbiani (1652-1726) - I musicisti del principe Ferdinando de' Medici (c.1685) Comprar/Purchase: https://www.amazon.es/Montanari-Violi... --- Antonio (Maria) Montanari (Modena, 29 November 1676 - Rome, 2 April 1737) Italian composer and violinist. Nothing is known of his childhood or his musical education but he was already in Rome as a young man, and between 1692 and 1737 documentation exists (albeit with interruptions) indicating his involvement as a violinist, often in important positions, in the orchestra of Cardinal Ottoboni (see illustration). From 1712 onwards he appears to have held a permanent post in the Ottoboni household but he also served other families of the Roman nobility, and he is thus found among the musicians who performed in Handel's La Resurrezione in 1708 in the Palazzo Ruspoli. On this occasion, and on others documented from 1694 onwards, he is referred to as ‘Antonio del sig.r card.le Colonna’, which suggests that he had already been in the service of Cardinal Giovanni Paolo Colonna for some time. Between 1695 and 1708 he was in the service of Cardinal Benedetto Pamphili and of the Accademia del Disegno di S Luca. Montanari must have had considerable standing as a violinist, his name always appearing near the top of the lists of players. His reputation was such that J.G. Pisendel, who had already studied with Torelli and Vivaldi, took lessons from him in 1717. In his op.5 trio sonatas of 1707 Giuseppe Valentini entitled one work La Montanari. He also dedicated a sonnet to Montanari in his collection of Rime, and another sonata by him entitled La Montanari exists (in D-Dlb). According to contemporary sources, Montanari experimented with enharmonic micro-intervals. His high standing as a violinist suggests that he would have had a teacher-pupil relationship with many talented players in Rome, especially after the death of Corelli, including, perhaps, P.A. Locatelli. Montanari's works have yet to be studied in depth. His Concerti op.1 reveal an able violinist, but one who never exceeded the average technical demands of the time. The composer Francesco Montanaro, whose collection of Sei Suonate, op.1 was published by Le Cène, must be taken to be the same person as Antonio Montanari.