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“Described as "a homesick bariolage based on the anthem Hawaiʻi Aloha," koʻu inoa exists in several forms. . . . koʻu inoa translates from ʻōlelo Hawaiʻi to "my name is" and frames a perspective and statement to absorb the meaning of identity. . . . Hawaiʻi Aloha, usually performed at the end of concerts, offers the audience a parting gesture of farewell to sing as one, to be a community connected. When koʻu inoa is performed as a concert opener, the anthem becomes a welcoming gesture rooted in the Kanaka Maoli protocols of first contact; to introduce who you are. As listeners, the invitation stands to meditate on our identity, discover meaning in the melody of our name, and feel rooted and connected to the place we call home.” — Excerpts from a program note by Dr. Michael-Thomas Foumai, Lecturer, Academy of Creative Media, University of Hawaiʻi West Oʻahu, originally written for the orchestral premiere of koʻu inoa, April 2022 Leilehua Lanzilotti (b. 1983) is a Kanaka Maoli composer, artist, and curator. By world-building through multimedia installation works, nontraditional concert experiences, and sound interventions, Lanzilotti’s works activate imagination around new paths forward in language sovereignty, water sovereignty, land stewardship, and respect. Lanzilotti crafts projects that uplift native knowledge and intuition, imagine indigenous futures, and encourage courageous and active listening. Composer: Leilehua Lanzilotti www.leilehualanzilotti.com Performer: Clara Kim www.clarakimviolin.com Dress: Manaola Videographers: Four/Ten Media Kevin Eikenberg and Evan Chapman Audio Engineer: Jeremy McDonald