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Notes Left Standing is presented as a unified formal study rather than a sequence of performances. The album examines balance and proportion through controlled interaction, allowing density to emerge only when structurally required. Each gesture is positioned in relation to the whole, favoring clarity over display and continuity over emphasis. The work is framed as a conceptual ensemble recording shaped through human artistic direction and artificial intelligence. Artificial intelligence functions strictly as an analytical and generative instrument, used to examine pattern, ensemble behavior, internal tension, and long form balance. It remains subordinate to human judgment, historical awareness, and aesthetic intent. The result is an archival object that reflects a disciplined engagement with mid century jazz language, where restraint carries weight and silence is treated as an active element. Rather than documenting a session, the album proposes a historical document imagined through research, proportion, and structural listening, preserving an atmosphere of seriousness and measured intent. Tracklist Pavement Interval Ledger Window Brass in Passing Streetlight Measure Closed Overcoat Evening Account Sidewalk Columns Tension of Footsteps Paper Calendar Traffic Glass Corridor Figures Office Hour Drift Stone Facade Transit Stillness Cold Receipt Briefcase Weather Unsigned Notice Crosswalk Pattern Distant Signal Box Narrow Afternoon Public Margin Clock Without Hands Waiting Geometry Vertical Silence Final Standing Note Conceptual Ensemble tenor saxophone trumpet trombone piano double bass drums #rednotejazz #jazz #newmusic #ensemble #instrumental