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There’s a reason why 90s fall fashion hits different. Maybe it’s the absence of irony — or maybe it’s the fact that everything was ironic, but no one said it out loud. You just wore a huge coat, didn’t explain anything, and that was your whole personality. And people respected that.Autumn in the 90s wasn’t cozy. It wasn’t pumpkin-colored or cinnamon-flavored. It was beige. It was ash grey. It was the color of a bad mood on a Monday morning in November — and somehow, that was chic. People didn’t wear scarves because they were cute. They wore them because life was hard and heating was expensive.The models didn’t smile. The clothes didn’t sparkle. If your lipstick wasn’t slightly brown and your roots slightly grown out — were you even participatingCampaigns were moody, lit like indie films. You had Kate Moss looking like she just left someone’s loft in Berlin at 6 a.m. You had Shalom Harlow standing in a field in a Max Mara coat, giving pure “I’m going through something” energy. Everyone looked like they were either on the verge of a nervous breakdown or writing poetry about one. It was perfect.Back then, fashion didn’t chase you down with trend cycles and AI-generated dopamine dressing. It stood on the street corner, smoking, looking away — and if you noticed it, fine. If not, it didn’t care. Brands like Calvin Klein, Jil Sander, Donna Karan — they didn’t need to scream. They barely even spoke. Their version of fall was silence, minimalism, and really good tailoring.Let’s talk about the fabrics. Wool that looked itchy but was probably $800. Leather so structured it could’ve filed your taxes. Suede in impractical colors. Long skirts with slits you didn’t notice until someone walked away dramatically.