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RAAG SHIVKALYAN COMPOSITION BY SANGEET KALANIDHI MASTER KRISHNRAO, DISCIPLE OF GAYANACHARYA PT. BHASKARBUWA BAKHLE VOCALIST SANGEET BHUSHAN PT RAM MARATHE AGRA GWALIOR JAYPUR STYLE GHARANA ( RAAG SHIVRANJINI AND KALYAN WITH BOTH SHUDH AND KOMAL GANDHAR ) ACCOMPT... TABLA PT. BHAI ALIAS SURESH GAITONDE HARMONIUM... PT. VISHWANATH PENDHARKAR PANDIT RAM MARATHE PROFILE Ramchandra Purushottam Marathe (23 October 1924 – 4 October 1989), also known as Pandit Ram Marathe, was a Marathi music director, singer[1], and actor on stage and in films.[2][3] As a child actor, he performed the title role of Krishna in Prabhat Film Company's 1938 film, Gopal Krishna.[4] He was disciple of Vilayat Hussain Khan, the maestro of Agra gharana of Hindustani classical music. [5],Master Krishnarao Phulambrikar and others. Through Master krishnarao, he developed his Khayal style which had elements of different gharanas such as Jaipur, Gwalior and Agra. [6] SANGEET BHUSHAN / SANGEET CHUDAMANI PANDIT RAM MARATHE . Gharandaj Gayak of Hindustani Classical Singer of Agra, Gwalior, Jaipur Gharanas, Also acted in Films and Marathi Sangeet Natak, Music Director, Playback Singer, Child artist marathi and hindi films Tabla Player (Ustad Ahmadjaan Thirkawa Style), Guru, Bandishkar (Nayak) & “A Top Grade” Artist of All India Radio, Mumbai for more than 40 years. acted in number of Prabhat films notably “Admi” (Hindi) and “Manus” (Marathi). He acted as child prodigee/actor in more than 32 films. Journey in Classical Music: He had inborn talent and aptitude towards Hindustani classical music and attracted to learn and gain command and mastery from the following Musical Maestroes :- 1) Pandit Manohar Barve of Gwalior Gharaa 2) Pandit Mirashibuwa of Gwalior Gharana 3) Master Krishnarao Phulambrikar a musical illuminary and an astute disciple of Pandit Bhaskarbuwa Bakhle 4) Pandit Wamanrao Sadolikar & Mogubai Kurdikar of Jaipur Gharana 5) Khan Saheb Vilayat Hussein Khan of Agra Gharana 6) Pandit Jagannath Buwa Purohit popularly known as ‘Gunidas’ and an ardent devotee of Khan Saheb Vilayat Hussain Khan 7) Also he had tabla training from Pt. Balubhaiyya Rukdikar, Pt. Jagannath Buwa Purohit & Ustad Ahmadjaan Thirkhawa Concerts / performances: He had performed in all the prestigious musical festivals at various places like Jalandhar, Patna, Lahore, Delhi, Gwalior, Calcutta, Banaras, Amritsar and almost all over the Maharashtra. His contribution to Indian classical music was recognized with several Awards for his unique and successful performances. He was “A-top grade” Hindustani Classical Artist of All India Radio. Gayaki Speciality: Since he had undergone a proper Tabla training, he had a great command on Taal and Layakari. He had special command on Rare–Anvat Ragas & Jod Ragas and he was highly recognized for his clear and fast tankriyas and also for Purity of Ragas. He always used to enrich his audience with various semi-classical forms like Khayal, Tarana, Tappa, Natyasangeet, Thumri, Dadra & Bhajans in his concerts. Unlike the present classical singers, his concerts used to last more than 5 hours with the powerful intensity and stamina.He must have performed at least 3500 mehfils all over india . Career as a Stage Actor & Music Director: He started his stage career under the perusal of Natvarya Shri Ganapatrao Bodas in 1950 as a leading character in old classical musical dramas like Saubhadra, Sanshayakallol, Swayamvar, Ekach Pyala, Manapman etc. with veteran actor and actress such as Balgandharva, Hirabai Badodekar, Vinayakbuwa Patwardhan, Nanasaheb Phatak etc. Despite of his busy schedule in concerts, he performed in 22 old & new Sangeet Natak with more than 6000 stage shows. This is purely out of his dedication and commitment towards Sangeet Rangbhoomi. Composed music for more than 6 dramas such as – Mandarmala, Suvarntula, Meghmalhar, Tansen, Baiju etc. and acted in the play as a l Natya Darpan Puraskar in 1989 ….. and several others Appointed by AIR, New Delhi on Northan (Hindustani) Music Audition Board Committee. Also Advisory Nagpur and other Universities in India. More than 100 Records and number of CDs and LPs to his credit and composed more than 50 Bandish in various Ragas. Career as a Guru: His disciples includes many eminent classical singers like Pt. Ulhas Kashalkar, Sudhir Datar, Ram Pratham, Vishwanath Kanhere, Vishwanath Bagul, Yogini Joglekar, Shashikant Oak, Madhuwanti Dandekar, Sanjay Marathe & Mukund Marathe etc. (more than 50) and have got the training from him under the traditional Gurukul way of learning. He was always humble & astute devotee and follower of Late Pandit Gayanacharya Bhaskarbuwa Bakhale. known as DEVGANDHARWA .