16th century paintings go on exhibit at National Gallery скачать в хорошем качестве

16th century paintings go on exhibit at National Gallery

(14 Jun 2006) 1. Wide of "Virgin and Saint Peter Enthroned with Saints John the Baptist and Paul," pull out to entrance of exhibition 2. Banner across entrance way, reading: "Bellini, Giorgione, Titian and the Renaissance of Venetian Painting" 3. Giovanni Bellini's "Virgin with Blessing and Child" (1510) 4. Close-up of "Virgin with Blessing and Child" 5. Palma Vecchio's painting "Virgin and Child with Saints George and Lucy" (1518-1520), pull out to wide of gallery 6. Set up of Co-Curator of "Bellini, Giorgione, Titan" exhibition, David Alan Brown in gallery 7. Close-up of Titian's "Pastoral Concert" 8. SOUNDBITE: (English) David Alan Brown, Co-Curator of "Bellini, Giorgione, Titan" exhibition, National Gallery of Art: "Well, it was put together by people like me, let's say with a lot of experience. But in a way it's really addressed to the young because it's about youth, love, carefree existence in nature represented by the pastoral landscape, about beauty, and about the pleasures of youth. But over all these there's a kind of melancholy awareness of their transience." 9. Wide of Titian's "Virgin and Child with Saints Catherine of Alexandria and Dominic and a Donor" (1513-1514) 10. Close pan across "Virgin and Child with Saints Catherine of Alexander and Dominic and a Donor" 11. Wide of portrait, Sabastiano del Piombo's "Ferry Carondelet and His Secretary" (1512-1513) 12. Detail of "Ferry Carondelet and His Secretary" (1512-1513) 13. Set up of Sylvia Ferino-Pagden, Co-Curator of "Bellini, Giorgione and Titian" exhibition, standing by "Portrait of Woman" by Sabastiano del Piombo 14. SOUNDBITE: (English) Sylvia Ferino-Pagden, Co-Curator of "Bellini, Giorgione and Titian" exhibition, Kunsthistorisches Museum: "A lot of work, a lot of competition, a lot of new ideas and invention became the new required capacity of the artist." 15. Zoom in from wide to close-up of Titian's "Pastoral Concert," (1510) 16. SOUNDBITE: (English) David Alan Brown, Co-Curator of "Bellini, Giorgione and Titian," exhibition, National Gallery of Art: "It's an absolutely key work of the time, and yet, no one mentions it. But in the 19th century it became famous among the Romantics and then for modern artists, like Manet, it was a standard against which to measure themselves." 17. Pan across "Pastoral Concert" (1510) 18. Sabatiano del Piombo's "Woman as a Wise Virgin" (1510) 19. Close shot of Titian's "Concert" (1511-1512) 20. Close-up of Bartolomeo Veneto's "Portrait of A Gentleman" (1515-1520) 21. Wide pan of gallery with portraits STORYLINE: Competition has always been a key ingredient to sparking creativity and innovation. The competitive nature of 16th century Venatian art masters, has been credited with producing inspiring and innovative works now considered global treasures. An exhibition of 50 paintings from the works of Bellini, Georgione and Titian opens next weekend at the National Gallery of Art in Washington. During the first 30 years of the 16th century, Bellini, Giorgione and Titian were all working side by side in Venice, drawing inspiration and a little friendly competition from each other. The works are presented thematically beginning with religious, sacred works that were often painted for cathedrals, convents and churches. But almost as often, rich patrons would ask for religious, symbolic works to be completed for private chapels and homes in Venice. Also during this time the artists turned to new subjects drawn from classical antiquity and developed new styles and techniques to represent these ideas. Keyword-art Find out more about AP Archive: http://www.aparchive.com/HowWeWork Twitter:   / ap_archive   Facebook:   / aparchives   ​​ Instagram:   / apnews   You can license this story through AP Archive: http://www.aparchive.com/metadata/you...