Step-by-step pro colorist setup, conform, & delivery скачать в хорошем качестве

Step-by-step pro colorist setup, conform, & delivery

See how every professional color grading job gets set up (including live demos for different workflows), and how to make your setup faster so you can grade with more speed and confidence so your work is always at its best. Plus I'll be giving away my professional prep guide to help you set up your projects with what you've learned. You'll get to see everything: • Creating a template project • Naming format/job # • Bin structure • Creating a project setting preset • Stills and cache directories • Caching setup • Resolution setup • Color management setup • Timeline and display space tags • Tetrahedral interpolation • The two types of conform workflow and which to choose • Live demos of each type of workflow And a heck of a lot more. Get my pro color grading prep guide here: https://procolor.ist/pro-colorist-pro... Want to get more advanced with your color grading? Join the next round of Colorist Career Accelerator here: https://bit.ly/cca-round7-waitlist ••••••••• Improving you color grading requires the mindset of a colorist. Learn the mental models of pro colorists in my ebook "The Colorist's Ten Commandments": https://procolor.ist/ebook Ready to move from grading shots to creating looks? Get a free trial of Contour, my look design plugin for Resolve that uses battle-tested, Hollywood color science: https://procolor.ist/contour-official ••••••••• You can also grab my free Kodak 2383 film LUT for free: https://procolor.ist/freelut Check out my Voyager LUT pack here: https://procolor.ist/voyager-lut-pack ••••••••• 0:00 Introduction 2:46 The importance of setting your project correctly 4:21 Folder Structure 5:45 Master Settings 6:59 Color Management 9:54 General Options and Camera RAW 10:50 Conform Prep Guide 14:55 Source Media Workflow 20:38 Flat Quicktime Workflow 22:40 How to handle VFX deliveries? 24:17 Color Management of ProRes 4444 24:56 Do you need to use the MAC OS viewing LUT if you're using a Decklink? 25:53 Starting the conform process 30:01 Load XML settings 34:53 Using a reference clip 37:00 Dealing with sizing mismatches and letterboxing 47:08 Checking the timeline 57:25 How to deal with pathing problems from the XML? 58:56 How does Cullen prefer to receive a timeline? 1:00:18 How to deal with changes after picture lock? 1:02:38 Dealing with unknown color spaces 1:06:18 How to deal with different frame rates in a timeline 1:08:50 How do you receive and send files? 1:10:00 Handling a project with different aspect ratios 1:13:10 Dealing with compound clips 1:15:24 Conclusion and new round of CCA announcement