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A philosophical thriller, mystery and horror all intertwined in this short film. This is the OFFICIAL Short Film, BLOODY MOON. Log Line; Two boys whose lives take an unexpected turn after trying an Instagram challenge that appeared abruptly in their feed. The blood moon on March 14 is not what it was. #STAY TUNED (Philosophical Reflection attached below. ) 🎬 CREDITS A Film by 🎥 Isuranga Fernando Productions WRITTEN & DIRECTED BY ✍️ Isuranga Fernando SJ CAST 👤 Ajay Mathews SJ as Jeffin 👤 Ajith Xavier SJ as Stephan 👤 Sam Nongkynrih SJ 👤 Ratan Hansda SJ CINEMATOGRAPHY 🎞️ Joswalt Noroha SJ (J7 Frames) & Isuranga Fernando SJ EDITING ✂️ Isuranga Fernando SJ SOUND DESIGN 🎧 Isuranga Fernando SJ MUSIC 🎼 [PIXABAY] Original Score by [PIXABAY] PROMOTION MANAGER 🎨 Shaun Dsilva SJ PROPS SUPPLIER 🎭 Noel Fernandes SJ THUMBNAIL DESIGN 🤩Claudius Dsouza SJ SPECIAL THANKS 🙏 To everyone who believed in this story and supported our journey. Family, Friends, SN Community and the Online Community. Produced by 📽 Isuranga Fernando Productions All Rights Reserved © 2025 A PHILOSOPHICAL REFLECTION ON THE SHORT FILM --- In today’s world, we find ourselves increasingly drawn into a cultural fascination with violence, bloodshed, horror, and primal instinct. What was once considered demonic, taboo, or unholy is now embraced, celebrated, and packaged as mainstream entertainment. We no longer simply witness violence—we crave it. We absorb it, normalize it, and in doing so, reflect it. This shift isn’t subtle; it’s central. It dominates our films, games, conversations, and collective imagination. Crime rates rise, headlines grow darker, and each act of brutality seems designed to outdo the last. The content that once shocked us now barely registers. Our thresholds for aggression have stretched so far that we seek more extreme experiences—more intensity, more cruelty, more chaos—like addicts chasing a high that never fully satisfies. But violence itself is not alien to the human heart. Every individual holds a shadow within—a dormant reservoir of aggression, rage, and potential darkness. Some suppress it, others express it, but all possess it. It is not unnatural. In fact, it mirrors the animal kingdom—the struggle for survival, territory, dominance. Violence, in its rawest form, is woven into nature. The issue is not its existence, but its escalation. What we now consume through modern media surpasses nature’s limits. It is no longer instinctual—it is sensational. The short film Bloody Moon was born from this reflection. It is not an attempt to glorify violence, but to hold a mirror up to the culture that does. The film follows two boys drawn into an Instagram challenge, craving validation, desperate to fit in. They are pulled into a mystic loop, unable to escape the consequences of one reckless decision. Alongside them, a murderer—himself a product of a broken, violent system—is trapped in the same cycle. What was once a single crime has become an eternal curse. This is not just storytelling. It is a metaphor. A reflection of our reality. The same loop exists in the world we live in. Modern cinema has become a race toward brutality. Each film competes to be more graphic than the last. But at what cost? Is this truly entertainment, or something darker—an unconscious shaping of our morality, our emotions, and our tolerance? What are we teaching the youth? Children and teenagers are constantly bombarded with images of violence. They are being raised on revenge plots, on merciless heroes, on glorified rage. What happens to their empathy, their patience, their capacity for peace? Will they pause before acting, or will they lash out, hardened by the content they’ve consumed since childhood? Bloody Moon asks us to stop and reflect. To understand that awareness often begins by confronting the very thing we fear. Yes, the film uses violence—but only to awaken. If violence is the language of modern entertainment, perhaps we must speak that language briefly, only to lead viewers toward something more conscious and transformative. In the end, the responsibility lies with us. We must learn to question what we consume and what it makes of us. Entertainment is never neutral—it sculpts the mind, it seeds the future. And if we are not careful, if we continue down this path blindly, we risk normalising brutality to the point where it is no longer performance—it becomes our reality. We are fast approaching a point of no return. A place where violence is no longer a reflection, but our way of life. Where we forget compassion, and glorify destruction. Where the human soul becomes numb. The time to awaken is now, before the loop becomes ours. Isuranga Fernando SJ --- #malayalam #trailer #viralvideo #trending #mystery #thriller #shortfilm #newshortfilm #horror