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Mozart Quartet in D minor, K.421

Mozart: Quartet in D minor, K. 421 Allegro moderato Andante (8:17) Menuetto: Allegretto (14:21) Allegretto ma non troppo (18:28) VERMEER QUARTET Shmuel Ashkenasi, 1st violin Mathias Tacke, 2nd violin Richard Young, viola, Marc Johnson, cello May 10, 2002 WFMT radio, Chicago From a question and answer period following a pre-concert talk by Richard Young and Marc Johnson… QUESTION: Especially with pieces you play often, how do you keep your edge? MARC: First of all, we rehearse every day when we’re not on tour. That is, six days each week with one full day set aside for teaching. But even when we’re on the road, we rehearse often, usually in one of our hotel rooms with the music spread out on the bed and tables. QUESTION: You rehearse the music you’ll be performing that night? MARC: Yes, even quartets we’ve played countless times. But we also use that time for particularly difficult works that will be coming up later on – pieces like the new string quartet that Cristóbal Halffter has written for us, or the 1st quartet by Elliott Carter that requires constant review. RICHARD: There’s something else that helps us keep the edge. Whenever I walk into a Vermeer rehearsal, I know that my playing will be scrutinized by a 3-person panel of experts. These guys know all my strengths, and usually take them for granted. And they know every one of my shortcomings, and rarely hesitate to address them! The way to deal with all this is to be so well prepared that you’re not just playing well, but playing with confidence. MARC: Let me add one more thing about our rehearsals. At every one of them, we’re spending our time in the company of genius in the form of these masterpieces by some of the greatest composers who ever lived. And the deeper we dig into these works, the more of a responsibility each of us feels to give his absolute best. RICHARD: The bottom line is that every rehearsal is a challenge. But it’s also a privilege and a lesson in humility.