The best overlooked JOHN WILLIAMS score? - Film Score Analysis скачать в хорошем качестве

The best overlooked JOHN WILLIAMS score? - Film Score Analysis

Corrections: Schindler’s List is 1993 not 2002, and David Raksin is misspelled. Scoring Points: Maestro - On the Music of Minority Report (Episode 9) In this episode, we explore the overlooked but fascinating score for Minority Report (2002), composed by The Maestro himself, John Williams. Discover how this of many collaborations with teven Spielberg yielded a rich, "black and white" score, full of homages to scores past to trace a dystopian future. 📅 Episode Chapters: 00:03 - Intro 03:21 - Better Late than Never 04:05 - Williams Overview 07:42 - Minority Report's Tonal Shifts 10:44 - Movement 11:15 - Harmonic Movement 13:12 - Rhythmic Movement 14:51 - Polytonality / Polymodality 17:00 - Melody 19:37 - Woods - Minimalism/Maximalism and the Scherzo 23:00 - Metals and Glass 24:53 - Extended Techniques of Modernism 27:48 - Classical Needledrops 29:20 - In Sum 🔔 Join the Conversation! What’s your favourite John Williams score? Share your thoughts on MINORITY REPORT in the comments below! Don’t forget to subscribe and hit the notification bell for more film score deep dives and MIDI recreations. #MinorityReport #JohnWilliams #StevenSpielberg #FilmScore #VideoEssay #VideoEssay #MusicAnalysis #FilmAnalysis Literature References • Audissino, E., Coleman, L. and Tillman, J., 2021. Contemporary Film Music. London: Routledge. • Barham, J., 2009. Scoring incredible futures: Science fiction screen music, and ‘postmodernism’ as romantic epiphany. The Musical Quarterly, 91(3–4), pp.240–274. https://doi.org/10.1093/musqtl/gdp001 • Hill, A., 2017. Scoring the Screen: The Secret Language of Film Music. Milwaukee: Hal Leonard. • Lehman, F., 2013. Hollywood Cadences: Music and the Structure of Cinematic Expectation. [Publication details, e.g., journal or publisher, needed.] • Lehman, F., 2020. John Williams’s Action Music in the Twenty‑First Century. [Publication details, e.g., journal or publisher, needed.] • Leach, R., 2024. ACTION‑MUSIC HARMONY – A Conversation w/ Mark Richards [video]. YouTube. Available at:    • ACTION-MUSIC HARMONY A Conversation w/ Mar...   [Accessed 18 Jun. 2025]. • Orosz, J.W., 2013. Translating Music Intelligibly: Musical Paraphrase in the Long 20th Century [PhD thesis]. University of Minnesota. Available at: https://core.ac.uk/download/pdf/76345... [Accessed 18 Jun. 2025]. • Coleman, L. and Tillman, J., 2021. “John Williams does not use a computer…” In: Contemporary Film Music. Routledge, pp. 21–22. • Swanson, S., Becoming Human: The Signifying Elements of ‘Orga vs Mecha’ in John Williams’ Score to A.I.: Artificial Intelligence (2001). [Unpublished manuscript/personal essay.]