Climax vs Anticlimax — How Should You End a Story? скачать в хорошем качестве

Climax vs Anticlimax — How Should You End a Story?

Climax vs Anticlimax — We break the differences and effects of these two ending types. What is an Anticlimax? ►► https://bit.ly/wi-ca Subscribe to StudioBinder Academy ►► https://bit.ly/sb-ad StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Introduction to Climax vs Anticlimax 01:03 - Climax vs Anticlimax Definitions 02:22 - Chapter 1 - Types of Climaxes 07:02 - Chapter 2 - Types of Anticlimaxes 13:08 - Chapter 3 - Structure 16:55 - Takeaways ───────────────────── CLIMAX VS ANTICLIMAX — DEFINITION, EXAMPLES, AND EFFECTS When approaching the end of their story, writers have two options — climax or anticlimax. In most cases, a climax is the most natural and satisfying conclusion but an anticlimax can be just as effective. In this video, we will break down the differences between climax vs anticlimax, the pros/cons of each, and how writers can use either to great effect. WHAT IS A CLIMAX A climax is when the main conflict of a scene, act, or story is finally resolved. In more dramatic stories, this might be an emotional peak; in more action-driven stories, this might be a spectacular set piece. In all cases, it is the pinnacle of what that particular story was building toward. WHAT IS AN ANTICLIMAX Conversely, the anticlimax is a subversion or denial of that resolution. In a romance story, the two leads may not end up together. In a revenge tale, when the hero finally has their target in sight, they take no action. Most of the time, these anticlimactic endings aren't the product of shoddy writing, they are intentional decisions made by the writer for comedic purposes or to make some larger point. Even though a vast majority of stories end in a climax, it is not the only option. As a writer, knowing your options can allow you to meet or subvert expectations as you craft the right ending for that particular story. #FilmTheory #VideoEssay #Filmmaking ───────────────────── ♬ SONGS USED: “Physics” - West Dylan Thordson “I Wouldn’t Remember Me Either” - Kyle Dixon “Journalistic Instinct” - Kyle Dixon “The Slough Pit of Creation” - Carter Burwell “Part of the Journey” - Alan SIlvestri “The Wampa’s Lair” - John Williams “The Greatest Trick” - John Ottman “I Do Believe” - Alejandro Amenábar “The King” - Robin Carolan + Sebastian Gainsborough “Joy Turns To Sadness” - Michael Giacchino “Theme (Eternal Sunshine)” - Jon Brion “Prologue (Army of Darkness)” - Joseph LoDuca “The Kings Speech” - Alexandre Desplat “Zombies Win!” - Paul McCollough “Blood Trails” - Carter Burwell “The Birds” - Thomas Bergen “The Thing” - Ennio Morricone “Building the Chair” - Carter Burwell “American Psycho” - John Cale “Mrs Robinson” - Simon and Garfunkel “Arriving At the Derelict” - David Julyan “Crimson Peak” - Fernando Velazquez “Bathroom Dance” - Hildur Guðnadóttir “Dream of Arrakis” - Hans ZImmer “Point of no Return” - Alan Silvestriq “What’s the Internet” - Kyle Dixon Music by Artlist ► https://utm.io/umJx Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a project management platform for your filmmaking? StudioBinder is an intuitive project management solution for video creatives; create shooting schedules, breakdowns, production calendars, shot lists, storyboards, call sheets and more. Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►►   / studiobinder   Facebook ►►   / studiobinderapp   Twitter ►►   / studiobinder   #film-theory, #video-essay, #filmmaker