Stop Noodling: ii–V–I Lick You Can Use on Autumn Leaves, Lady Bird & Pent Up House скачать в хорошем качестве

Stop Noodling: ii–V–I Lick You Can Use on Autumn Leaves, Lady Bird & Pent Up House

Reach out for a one to one jazz lesson - https://www.jazzetudes.net/online-jaz... Get a 7‑day free trial of Level 2 Jazz Language Lab - https://buymeacoffee.com/darrenlloydt... 5 lessons for the membership - https://jazzlanguagelab.gumroad.com/l... Stop Noodling: ii–V–I Lick You Can Use on Autumn Leaves, Lady Bird & Pent Up House If your jazz licks never show up when you solo on real tunes, it’s usually not a memory problem – it’s a chord‑changes problem. In this jazz improvisation lesson, I’ll show you ONE simple 60 ii v i lick and how to use it on three real jazz standards: • Autumn Leaves • Lady Bird • Pent Up House You’ll see the lead sheets on screen, hear clean MIDI play‑throughs at slow and medium tempos, and learn exactly where this bebop lick fits over each 53 ii v i progression. This is practical 60 jazz improvisation vocabulary you can actually use – not more random noodling. What you’ll learn in this video: • How to recognise 60 ii v i progressions on a lead sheet • How to move one jazz lick through different keys and tunes • A clear 3‑step routine to make licks show up in your solos • How to stop noodling and start playing clear, melodic bebop lines If this “changes‑first” approach makes sense to you, this video is really just the starting point. Inside my Level 2 Jazz Language Lab membership, we go into much more detail on exactly this kind of material: full lesson videos, PDFs, slow‑tempo backing tracks, and step‑by‑step practice plans so you can actually absorb the language and hear it come out in your solos. You can explore everything in Level 2 with a free 7‑day trial. No pressure – it’s there if you want a deeper, more structured version of what you see in this lesson: Get a 7‑day free trial of Level 2 Jazz Language Lab - https://buymeacoffee.com/darrenlloydt... Once you understand how this ii–V–I lick fits into real standards, watch my lesson on building clear jazz solos using chord tones and target notes. I’ll link it in the end screen and cards so you can continue straight into the next concept.