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Concerto for Violin with Percussion Orchestra, by Lou Harrison скачать в хорошем качестве

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Concerto for Violin with Percussion Orchestra, by Lou Harrison
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Concerto for Violin with Percussion Orchestra, by Lou Harrison

Concerto for Violin with Percussion Orchestra, by Lou Harrison Performed by Todd Reynolds (soloist), Third Coast Percussion, and John Corkill Video/Audio: Four/Ten Media http://fourtenmedia.net -------------------------------------------------- ABOUT THE PIECE: Commissioned by violinist Anahid Ajemian, Lou Harrison's Concerto for Violin and Percussion (Koncherto por la violono kun perkuta orkestro) was begun in 1940/41 in New York and completed in 1959. It was premiered on November 19, 1961 at New York's Carnegie Recital Hall with Ajemian as the soloist, and was conducted by Paul Price. Harrison has on several occasions referred to the Violin Concerto of Alban Berg as a reference for this work. That comparison does somewhat accurately reflect the general sound of the violin soloist's part which, as an example of the kind of internal control which Harrison often imposes on himself, is made up of only intervals of the minor second, major third, and major sixth. The accompaniment is a different matter altogether. With the common world music practice of combining a single melodic part with a purely rhythmic accompaniment in mind, Harrison calls for a combination of "junk" and traditional percussion instruments to accompany the violinist. Among the instruments used are brake drums, galvanized washtubs, clock coils set in a base made from an old guitar body, coffee cans, wind chimes, flower pots, and plumber's pipes. Not surprisingly, it is sometimes difficult to assemble the various instruments called for in the score. For a 1965 performance, Harrison was forced to spend several hours, as he put it, "chasing down metal pikes, dowels, pipe lengths and flower pots in hardware stores." The concerto is in three movements. It opens with a dark, Expressionistic, rather athletic Allegro maestoso. The violin line is quite dissonant and angular. In the middle movement, the long line of the soloist is punctuated by percussive effects, some subtle, some more aggressive. The final movement is rambunctious, with a grand outburst towards the end that evokes the kind of Southeast Asian ceremonial music that has been such a large influence on Harrison. -------------------------------------------------- ABOUT THE COMPOSER: Lou Silver Harrison (May 14, 1917 – February 2, 2003) was an American composer. He was a student of Henry Cowell, Arnold Schoenberg, and K. P. H. Notoprojo. Harrison is particularly noted for incorporating elements of the music of non-Western cultures into his work, with a number of pieces written for Javanese style gamelan instruments, including ensembles constructed and tuned by Harrison and his partner William Colvig. The majority of his works are written in just intonation rather than the more widespread equal temperament. Harrison is one of the most prominent composers to have worked with microtones. -------------------------------------------------- ABOUT TODD REYNOLDS: Todd Reynolds, violinist, composer, conductor, producer, has been a member of Bang on a Can and the Steve Reich Ensemble for 28 years. A “daredevil musician”, and as New Sounds’ John Schaefer notes, “the hardest working violinist in New York.", his compositional and performance style is a hybrid of old and new technology built into a multi-disciplinary aesthetic, employing pan-genre composition and improvisation at its foundation. Reynolds’ music has been called “a charming, multi-mood extravaganza, playful like Milhaud, but hard-edged like Hendrix” (Strings Magazine), and his countless premieres and performances of everything from classical music to jazz to rock ‘n’ roll long ago redefined the concert hall and underground club as undeniably and inevitably intertwined. He has appeared as a soloist with Yo-Yo Ma, was one of the original members of the Silk Road Project, and has toured with a multitude of artists from John Cale to Meredith Monk to Bruce Springsteen, to name a few. FULL BIO HERE http://toddreynolds.com -------------------------------------------------- ABOUT THIRD COAST PERCUSSION: Third Coast Percussion is a Grammy Award-winning, artist-run quartet of classically- trained percussionists hailing from the great city of Chicago. For over ten years, the ensemble has forged a unique path in the musical landscape with virtuosic, energetic performances that celebrate the extraordinary depth and breadth of musical possibilities in the world of percussion. The ensemble has been praised for “commandingly elegant” (New York Times) performances, the “rare power” (Washington Post) of their recordings, and “an inspirational sense of fun and curiosity” (Minnesota Star-Tribune). The four members of Third Coast are also accomplished teachers, and since 2013, have served as ensemble-in-residence at the University of Notre Dame’s DeBartolo Performing Arts Center. FULL BIO HERE http://thirdcoastpercussion.com

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