【東亞連線論壇I】姚瑞中：跳島計畫－太平洋島嶼的歷史與政治地緣脈絡 скачать в хорошем качестве

【東亞連線論壇I】姚瑞中：跳島計畫－太平洋島嶼的歷史與政治地緣脈絡

跳島計畫：太平洋島嶼的戰爭歷史與政治地緣脈絡 Island Hopping Project: The Context of War History and Political Geography in the Pacific Islands 一反過去的中國中心主義或是當下流行的南進思維，「跳島計畫 」把眼光 重置在冷戰時代的地理概念「島鏈」。這個由美國所提出的島鏈戰略，實質 上演變自二戰期間的跳島計畫。在這個架構下，「跳島計畫」希望邀集島鏈 上的藝術創作者，反思二戰時期的帝國以島鏈作為戰爭侵略與反擊的路徑， 以藝術作為行動來提出倡議，重劃對太平洋島鏈的文化脈絡與藝術觀點。 Distinct from the Sinocentric system or the trendy southbound thinking, Island Hopping Project shifts the focus back onto the “island chains”, a geopolitical legacy of the Cold War. The island chain strategy mapped out by the United States owed its origin to the island-hopping strategy employed by the Allies in the Pacific War. Within the framework, the project invites artists from these regions to reflect upon and resist the imperial invasion that has begun since World War II and made use of the island chain. Through the project, “art as action” becomes a primary initiative to redefine the cultural context and artistic perspective of the Pacific Island chain. 姚瑞中 YAO Jui Chung 1969 年生於台灣台北，1994 年國立台北藝術大學美術系畢業，曾受邀參 展威尼斯、橫濱、亞太、上海、亞洲、深圳、首爾、曼徹斯特、雪梨、台 北…等地藝術雙/三年展，台北攝影新人獎、香港「集群藝術獎」、新加坡 「亞太藝術獎公眾獎」及台灣「台新獎」得主。作品涉獵廣泛，主要探討人類 某種荒謬處境，早期作品以幽默手法對「正統性」進行顚覆。也透過攝影裝 置手法，呈現台灣特有的一種虛假、疏離的「冷現實」。並整理過去在台灣 各處踏查拍攝的廢墟照片，呈現台灣全球化潮流與特殊歷史背後所隱藏著 的龐大意識形態黑洞，延續「人類歷史的命運，具有某種無可救藥的荒謬 性！」創作主軸。2010 年至2019 年帶領「失落社會檔案室」返鄉進行反思 閒置空間現象的《海市蜃樓》拍攝計劃，以「微型文化行動」概念提引起社會 高度關注，近期完成全台巨大神像地毯式拍攝計畫《巨神連線》與全台地獄 造景的《地獄空》。其「幻影堂工作室」藏有1990 年代至今六萬餘份紙本藝 術展覽DM，並推動贊助台灣攝影訪談輯出版，2020 年受邀擔任台灣雙年 展策展人。目前為國立臺灣師範大學美術系兼任副教授。 Yao was born in 1969. He graduated from The National Institute of The Arts (Taipei National University of the Arts) with a degree in Art Theory. Yao specializes in photography, installation and painting. In 1997, he represented Taiwan in Facing Faces-Taiwan at the Venice Biennale. After that, he took part in the International Triennale of Contemporary Art Yokohama (2005), APT6 (2009), Taipei biennial (2010), Shanghai Biennale (2012), Beijing Photo Biennale (2013), Shenzhen Sculpture Biennale (2014), Venice Architecture Biennale, Media City Seoul Biennale (2014), Asia Triennial Manchester (2014), Asia Biennale (2015), Sydney Biennale (2016) and Shanghai Biennale (2018). His works have been widely exhibited in numerous international exhibitions. Yao is the winner of The Multitude Art Prize (Hong Kong) in 2013 and the 2014 Asia pacific Art Prize (Singapore). He is also the winner of the Taishin Arts Award (Taiwan) in 2018. In 2010, Yao grouped his students into a photography team called Lost Society Document (LSD). He encouraged them to photograph and survey in their hometowns. Through the way of field survey, they attempt to outline “mosquito houses”, which have been widely criticized, publish three books, Mirage: Disused Public Property in Taiwan, and practice the possibility of observing the society by the meaning of art until now. Now, Yao works as an independent curator and artist. He is also teaching at the National Taiwan Normal University Department of Fine Arts.