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La notte. Giorgio Gaslini

In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lydia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lydia flirts with the playboy Roberto. This is the second entry in his famous “alienation trilogy”. For both the first (L’Avventura) and the third (L’Eclipse), Antonioni’s composer-of-choice was Giovanni Fusco. However, “La Notte” was scored by renown jazz and contemporary music composer Giorgio Gaslini who, thus, was offered a first chance to write music for a film. Since the film was shot in Milan, Antonioni’s initial idea was to hire a native composer as he was of view that there was a big difference between the jazz music that was being produced in the South and in the North of Italy. Gaslini wrote his score while the film was being shot: he participated with his own orchestra in the party that serves as a background for the film. According to his recollections this ended up being the most bizarre and exciting experience of his career. The end result is fairly unique as well: a catalogue of ambience jazz music that boasts an unprecented phsycological thrust.