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Bach Prelude n 5 in D Major is not of fugal character, but in fact a splendid, real gigue; it is a correct dance movement, with regular groups of periods, and in two sections with repeats. A powerful foundation-laying period, which appears at the beginning of the second section in inversion, is followed by a sportive toying with the opening crisp arpeggio motive commencing with a slide, and this lasts through two periods which modulate to the dominant, and which close with a formal cadence; whereupon, after a further complete period, follows the confirmation, which as after-section only receives a triplet of measures (to be played with breadth). The second section is worked out with the same material, i. e. no new motives are introduced. But it opens with a somewhat lengthy development (five periods, the fifth with a powerful extension), which preserves, however, the fresh dance-like character, never making a display of learning or of artifices; and after the inversion of the introductory period it is worked in a manner similar to that of the first section, but avoids the principal key (it is in A-major and JB-minor, dominant and parallel keys). The rest is a return of the first section, avoiding the modulation to the dominant. The strict writing in three voices which is carried nearly through the whole of the piece, but which is never felt as a fetter, deserves notice. Playlist Bach Well-tempered clavier part 2: • The Well-Tempered Clavier part 2 Welcome to Carmelo Paolucci YouTube channel! Please SUBSCRIBE to my channel and ACTIVE notification with the bell! Subscribe: / @ing.carmelopaolucci332 Played on Yamaha P125 piano stage, Tamara House. Video Recording Samsung galaxy A54. VST: Hamburg Steinway D Pianoteq Stage 9 Editing: Wondershare Filmora #bach #piano #prelude #pianoteq #wohltemperierteklavier #welltemperedclavier