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Farhang Foundation proudly presents DR. TALINN GRIGOR (U.C. Davis) in an exclusive talk in conjunction with the release of her latest new book: THE PERSIAN REVIVAL, THE IMPERIALISM OF COPY IN IRANIAN AND PARSI ARCHITECTURE. Purchase the book now using an exclusive Farhang discount promo code NR21, and receive 30% off the retail price at https://farhang.org/grigor Dr. Grigor was joined for a Q&A session with Dr. Shazad Ghanbari, Chair of Farhang Foundation's Fine Arts Council and member of the Board of Trustees. One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. About Dr. Talinn Grigor Talinn Grigor is professor and chair of the Art History Program in the Department of Art and Art History at the University of California, Davis. Her research focuses on 19th- and 20th-century art and architectural histories through the framework of postcolonial and critical theories, grounded in Iran and Parsi India. Her books include Building Iran: Modernism, Architecture, and National Heritage under the Pahlavi Monarchs (2009); Contemporary Iranian Art: From the Street to the Studio (2014); and The Persian Revival: The Imperialism of the Copy in Iranian and Parsi Architecture (2021). About Dr. Ghanbari Dr. Ghanbari is the Design Principal at Westgroup Designs, an award-winning design firm whose work has been recognized and published nationally and internationally. Dr. Ghanbari served on the AIA/OC Board of Directors from 2002-2006 and devoted his time as Director of Education. He was part of the Steering Committee for AIA/ Chapman University which inspired his involvement in the Steering Committee AIA/ San Diego School of Architecture. Dr. Ghanbari is a graduate of the six-cycle Ph.D. Architecture Program, Sapienza University of Roma, Italy. He spent the last 10 years of his 25 year journey in Italy as a researcher and professor for the School of Architecture, and his work was selected as a virtuoso for the prestigious Venice Biannual International Exposition. Dr. Ghanbari serves as a Trustee on Farhang Foundation's Board and is currently the Chair of Farhang's Fine Arts Council.