The Cure • Disintegration • AI Generation Animation • 4K скачать в хорошем качестве

The Cure • Disintegration • AI Generation Animation • 4K

Disintegration Studio album by the Cure Released 2 May 1989 Recorded November 1988 – February 1989 Studio Hookend (Checkendon, England) Genre Gothic rock[1][2][3] alternative rock[4] dream pop[5] post-punk[6] art rock[7] Length 71:45 Label Fiction Producer David M. AllenRobert Smith The Cure chronology Kiss Me, Kiss Me, Kiss Me (1987) Disintegration (1989) Mixed Up (1990) Singles from Disintegration "Lullaby" Released: 10 April 1989 "Fascination Street" Released: 18 April 1989 "Lovesong" Released: 21 August 1989 "Pictures of You" Released: 19 March 1990 Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. The record marks a return to the introspective gothic rock style the band had established in the early 1980s. As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the band's pop successes with a more enduring work. This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album. Following the completion of the mixing, founding member Lol Tolhurst was fired from the band. Disintegration became the band's highest charting album to that point, reaching number three on the UK Albums Chart and number 12 on the US Billboard 200, and producing several hit singles, including "Lovesong", which peaked at number two on the Billboard Hot 100. It remains the band's highest-selling record to date, with more than four million copies sold worldwide. It was greeted with a warm critical reception before later being widely acclaimed, including being placed at number 116 on Rolling Stone magazine's list of the "500 Greatest Albums of All Time". Stephen Thomas Erlewine of AllMusic called it the "culmination of all the musical directions the Cure were pursuing over the course of the '80s".[8]