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traditional, arranged by QI Yao —pipa and ruan ensemble The lyrics of this popular song come from the poem Pipa xing《琵琶行》, which was composed by poet BAI Juyi (772-846 CE) in the Tang Dynasty (618-907 CE) has been passed down through the ages. It depicts a scene where the poet meets a pipa player who is highly skilled and admired by many followers. She has been separated from her relatives and pours sadness into her music, attracting the poet who was seeing some guests off by the river. The poet himself was in low spirits having been demoted from a high official position and relegated to Jiujiang (now a prefecture-level city in Jiangxi Province). He felt resentful, helpless and underappreciated. So the two individuals were able to deeply empathise with each other through the sharing of similar experiences and emotions. Pipa xing has been adapted as a popular song in recent decades with lyrics quoting the original poem. The song was composed by contemporary original musicians Tuyouqin, QI Ran, and SHEN. The arrangement includes elements such as pipa, piano, and Chinese opera tone. Rendering the atmosphere of ancient style, it has the characteristics of Chinese style music, and the different paragraphs are clearly layered. The pipa and ruan ensemble version was arranged by QI Yao, a well-known pipa and ruan performer. The ensemble version is divided into four parts with the melody and structure restored to the original song, which is enhanced by characteristic techniques such as tremolandos, pitch and timbral variation (by pushing and pulling on the strings), strumming, harmonics, and vibrato. 这首流行乐曲《琵琶行》的改编自唐代(618-907BC)诗人白居易(772-846BC)创作的长篇叙事诗《琵琶行》。 此唐诗描述了诗人白居易偶遇一演奏技艺高超、有着众多追求者的琵琶女的故事。琵琶女被迫背井离乡,其演奏的乐曲包含悲痛,吸引了在河边送客的诗人。诗人自己也正因无辜被贬至浔阳(现江西省辖地级市九江)而愤懑、无助和哀怨。因而,两人同病相怜。 现代古风流行乐曲《琵琶行》的歌词取材于白居易的诗句,由徒有琴谱曲、奇然和沈谧仁演唱。乐曲编排之中增加了琵琶、钢琴和古风戏腔作为点缀,使乐曲层次分明,更增添了乐曲的国风韵味,使其成为一首典型的国风歌曲。 琵琶与阮的合奏版本乐曲由知名琵琶和阮表演家齐瑶改编。该版本合奏曲被分为四个声部但乐曲结构与歌曲版本一致,并通过颤音、音高和音色变化(通过推拉琴弦)、扫弦、和声和颤音等特色演奏技术增强艺术表现。