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NO COPYRIGHT INFRINGEMENT INTENDED. THIS VIDEO IS JUST FOR ENTERTAINMENT PURPOSES. ⬡ / simmonsdrumsmarcinnsz ⬡ 🎧 Headphones Recommended 🎧 !!! ⬢ SIMMONS SDS V The Simmons SDS V was the first (analog) viable electronic replacement for acoustic drums. It was developed by Richard James Burgess and Dave Simmons, manufactured initially by Musicaid in Hatfield, UK, and commercially released in 1981. The SDS-V was a really popular system, used by many of the big names in the 80's. It was 'module' based so you could start with 5 modules and expand it to 6 or 7 in total. There was also different types of modules, toms, bass drum, snare and hi hat. Also it had 'patch memories', of sorts anyway. These were basically trimmers that were recessed below the panel. You could also use it in a 'free' mode where the sound you had was the sound set on the knobs. ⬢ SIMMONS SDS 2000 (with internal DIGITAL REVERB) The SDS 2000 it's a digital module triggered by external drum pads. Mainly based on samples derived from the big SDS X sampler. The SDS-2000 is the last drum brain from the company before the closure (1989). ⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢ Alphaville is a German synth-pop band formed in Münster in 1982. They gained popularity in the 1980s. The group was founded by singer Marian Gold, Bernhard Lloyd, and Frank Mertens. They achieved chart success with the singles "Forever Young", "Big in Japan", "Sounds Like a Melody", "The Jet Set" and "Dance with Me". Gold remains the only continuous member of Alphaville. Forever Young is the debut studio album by German synth-pop band Alphaville. It was released on 27 September 1984 by Warner Music Group. Four singles supported the album, "Big in Japan", "Sounds Like a Melody", "Forever Young", and "Jet Set". The album charted well, hitting the Top 20 in six European countries and reaching number 1 in Norway and Sweden. Alphaville followed up with their second album in 1986 with the release of Afternoons in Utopia. The song "Summer in Berlin" contains references to the East German uprising of 1953, which occurred on 17 June 1953. When the compilation album Alphaville Amiga Compilation was assembled for release in East Germany in 1988, the song "Summer in Berlin" was submitted for inclusion, but rejected "for political reasons." "Big in Japan" song. Marian Gold developed most of the lyrics while going to a dentist. The theme was based on two friends who were involved in the sordid drug scene of Berlin's Zoo station. The song tells of such lovers who fantasize about being drug-free. The refrain "big in Japan" symbolises this idea of being successful in another world. Said Gold, "that line has a certain meaning. It means that if you're a complete loser, you're telling other people, 'I'm not a loser because in Japan I'm really big.' It's the lie of the loser and it fitted perfectly into the story of these junkies, which the song is about, in a very tragic way." Gold later explained "we originally weren’t sure whether we should put it on the album, because it’s a bit autobiographical in that it reflects my time in West Berlin in the late 70s, with the drug scene around the train station and the zoo, and all the underground things. It has nothing to do with Japan. The phrase was inspired by the name of the real band, Big in Japan, whose album Gold had recently bought. He said "As you know, there's a considerable musical market in Japan. If you wanted to become famous, what you should do was to form a hard rock group and then release an album over there; it would definitely sell well... so the story went ..." As the song reached the top of the German charts, the number one song which it displaced was "Relax" by Frankie Goes to Hollywood whose lead singer, Holly Johnson, had formerly been in Big in Japan – a remarkable coincidence, according to Gold. Gold later said that "we never got to speak with him but he must have wondered 'who is this German group with a song named after my band? ⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢⬢