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This video examines how public theatre, borrowed symbols and set piece displays were used to provoke Sikhs and to centre a living head as the only path to salvation. We follow reported incidents from street confrontation and open contempt for Sri Guru Granth Sahib Ji, to speeches in Nagpur that dismissed scripture while claiming exclusive power for the leader. We outline claims that sought to surpass Sikh institutions through Seven Beloveds and Sitare, the mirroring of sacred spaces such as Santokhsar, and the conferring of revered Sikh names inside the movement. We then track direct insults to Guru Gobind Singh Ji and to Kar Seva, chants and printed rewrites that redirected devotion to the head, and a staged weighing paired with Gurbani that implied divinity through spectacle. Why this matters for Sikhs Taken together, these moves amount to a bid for symbolic ground and spiritual authority in the open. For Sikhs this meant the appropriation of names and places that hold community memory, a steady stream of contempt aimed at forcing a reaction, and pressure on maryada and the dignity of the Guru. Understanding the pattern helps explain the response to defend Shabad Guru as the centre of authority and to resist a rival centre built on insult, spectacle and control. Instrumental - Jasdeep Degun - Darbar Festival