Gujarati Gazal Sahitya Swaroop Swarup Vikas Best Gazal gujarati sahitya swaroop lakshana скачать в хорошем качестве

Gujarati Gazal Sahitya Swaroop Swarup Vikas Best Gazal gujarati sahitya swaroop lakshana

Gujarati Gazal Sahitya Swaroop Swarup Vikas Best Gazal gujarati sahitya swaroop lakshana 00:43 ગઝલ શબ્દનો અર્થ 01:29 ગઝલની વ્યાખ્યા 02:50 ગઝલ વિષે વિવિધ દંતકથા 03:56 ગઝલના મુખ્ય બે વર્ણન વિષય 04:58 ગઝલનું ઓપરેશન 08:45 શેર અને મિસરો 10:42 રદીફ ૪ કાફિયા ૫ મત્લા ૬ મક્તા અને તખલ્લુસ ૭ ફર્દ ૮ કત્આ ૯ રુબાઈ ૧૦ ગઝલના બાહ્યસ્વરૂપનું સંક્ષિપ્ત વિવરણ ગઝલનું બંધારણ ગુજરાતી ગઝલ સંગ્રહ pdf સોનેટ meaning in gujarati ગઝલના પિતા ગઝલ નો ઉદભવ ગઝલ શીખવી છે ગઝલ કેવો કાવ્યપ્રકાર છે? ગઝલના છંદ Matla'a: The first sher in a ghazal is called the 'matlaa'. Both lines of the matla must contain the qaafiyaa and radif. The matlaa sets the tone of the ghazal, as well as its rhyming and refrain pattern. . Radif: The refrain word or phrase. Both lines of the matlaa and the second lines of all subsequent shers must end in the same refrain word called the radif. Qaafiyaa: The rhyming pattern. The radif is immediately preceded by words or phrases with the same end rhyme pattern, called the qaafiyaa. Maqta'a/Maktaa: The last couplet of the ghazal is called the maqtaa. It is common in ghazals for the poet's nom de plume, known as takhallus to be featured in the maqtaa. The maqtaa is typically more personal than the other couplets in a ghazal. The creativity with which a poet incorporates homonymous meanings of their takhallus to offer additional layers of meaning to the couplet is an indicator of their skill. Bah'r/Behr: Each line of a ghazal must follow the same metrical pattern and syllabic (or morae) count. Misra-e-uulaa: The first line of each verse must be a statement. Misra-e-sani: The second line of each verse must be the proof of statement given in the first line.