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Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: https://ko-fi.com/bartjebartmans Sonata for violin & piano No. 20 in C major, K. 303 (K. 293c) 1778 1. Adagio - Molto Allegro - Adagio - Molto Allegro (0:00) 2. Tempo di Menuetto (5:21) Henryk Szeryng, violin and Ingrid Haebler, piano Description by Brian Robins [-] During the course of the long trip undertaken to Mannheim and Paris in 1777-1778, Mozart composed seven sonatas for piano and violin (K. 296 and K. 301-306). The C major is the third of the group and the last to have been composed entirely in Mannheim. Like the Sonatas in C, K. 296, in G, K. 301 and E flat, K. 302 it was written during the spring of 1778, a period during which Mozart persistently delayed his departure for Paris, having fallen in love with the young singer Aloysia Weber. These Mannheim sonatas were the first Mozart had composed for keyboard and piano since his childhood, a renewed interest that appears to have gained its impetus from a group of sonatas by the Dresden Kapellmeister Joseph Schuster (1748-1812), which Mozart heard and played in Munich, the first stop made on the tour. In a letter written to his father from Munich he states his intention of composing pieces in the same style, but it was not until several months after his arrival in Mannheim that Mozart started work on the sonatas. What probably particularly interested Mozart about the Schuster sonatas was the greater independence given to the violin part than was customary at the time (the characteristic dominance of the piano part can be clearly heard in the very early sonatas composed by Mozart a dozen years earlier). Although the 1778 set are still described as being for piano with violin accompaniment (a designation clearly suggesting they were designed for the amateur market), the violin does attain at times a greater degree of equality. Like all but the last of the set, there are only two movements. The first is unusually constructed, opening with a flowing slow Adagio which leads into a hectic Molto Allegro section which is itself displaced by the return of a new Adagio passage. Finally the quick section is repeated. The second movement is an elegant Tempo di Menuetto. The six sonatas K. 301 through to K. 306 were published in Paris in 1778 as "Opus 1, No's 1-6" with the title page bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this reason they are frequently known as the "Palatine Sonatas."