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SN ARCHIVES - Elizabethan Playwrights Series. John Webster (c. 1578 – c. 1634) wrote The Duchess of Malfi (c. 1613), a dark masterpiece of Jacobean tragedy, a searing exploration of corruption, social class, and the resilience of the individual spirit against tyrannical power. The play centres on the newly-widowed Duchess, who, defying the incestuous, controlling wishes of her two brothers—Duke Ferdinand and the Cardinal—secretly marries Antonio, her virtuous but lower-class steward. This transgression ignites a tragic chain of events, driven by her brothers' obsessive rage and abuse of political and religious authority. The brothers deploy the morally conflicted malcontent, Bosola, as their spy, whose cynicism and eventual remorse complicate his role as both a villainous agent and the Duchess's eventual, if belated, avenger. Webster uses poetic, chilling language to frame the macabre court of Italy as a stage for human wickedness, presenting the Duchess's unwavering dignity in the face of psychological torture and execution as a profound critique of patriarchal society and corrupt nobility. The 1954 BBC Third Programme radio production of John Webster’s bloody Jacobean tragedy, The Duchess of Malfi, featured an anthological cast that reads like a roll call of mid-century British theatrical giants. Dame Peggy Ashcroft starred as the title character, bringing her renowned clarity and pathos to the Duchess, whose secret marriage sets the plot in motion. She was pitted against the chilling aristocratic malice of her twin brother, Ferdinand, played by the towering Paul Scofield, and their coldly corrupt sibling, the Cardinal, played by the distinguished Esme Percy. The play's morally complex anti-hero and agent of tragedy, Bosola, was portrayed by Paul Rogers, while Tony Britton rounded out the central roles as the virtuous, ill-fated husband, Antonio. This collective of exceptional talent elevated the broadcast to a definitive recording of the play, showcasing the poetic power and psychological intensity of Webster's drama through voice alone. CAST Duchess of Malfi: Peggy Ashcroft Ferdinand, Duke of Calabria: Paul Scofield The Cardinal: Esmé Percy Bosola, gentleman of the horse to the Duchess: Paul Rogers Antonio, steward of the household of the Duchess: Tony Britton Sous-titres "Traduction automatique YouTube": En, De, It, Es, Pt, He, Ja, Zh, Hi YOUTUBE MEMBERSHIPS - Please choose your membership level and provide recurring support for our Education Programs, Archives, and In-house Productions - Your support truly makes a difference! - / @shakespearenetwork CHANNEL SUBSCRIPTION - Please consider subscribing to our channel - https://www.youtube.com/user/Shakespe... _______________________________ 🎓 Explore this video as part of the Shakespeare Network Educational Programme. Our non-profit initiative promotes the study and performance of Shakespeare’s works through open-access resources. Discover the full Academic Kit accompanying this video — including texts, annotated scripts, reading lists and teaching notes — entirely free of charge on our official website: 🌐 Full Academic Kit → https://www.shakespearenetwork.net/me... 📚 This resource supports teachers, students, and theatre professionals interested in Renaissance literature, dramaturgy, and historical performance practice. 🗂 Related materials: - Free online courses and webinars - Research articles and curated editions - Live discussions and community projects © Shakespeare Network, registered non-profit educational organisation. _______________________________ SHAKESPEARE NETWORK - Screen Adaptation - Co-Production : MISANTHROPOS – Official Website - https://www.misanthropos.net Adapted by Maximianno Cobra, from Shakespeare's "Timon of Athens", the film exposes the timeless challenge of social hypocrisy, disillusion and annihilation against the poetics of friendship, love, and beauty. _______________________________ Please consider giving a donation today to support our HD AUDIO / IMAGE Restoration Program. The main objective of enhancing historical image and sound recordings by digital signal processing is to improve the overall quality of recordings degraded by several distortions. Whether true signal restoration or merely signal enhancement can be achieved depends heavily on the quality of the historical image and sound material. Image and audio restoration is an extremely time-consuming process that requires skilled audio and image engineers with specific experience in motion pictures, sound and music recording techniques as well as high-end hardware and software. Contact us for further info. → ______________________________________ Enjoy unlimited ad-free YouTube videos with YouTube Premium - / premium #ShakespeareNetwork #EducationalVideo #OpenLearning #RenaissanceStudies#Exclusive# New# Original content