Paramore & Hayley Williams' Love-Hate Relationship with “Misery Business” скачать в хорошем качестве

Paramore & Hayley Williams' Love-Hate Relationship with “Misery Business”

For many, the commercial breakthrough of emo-pop of the mid-00s was all about the bombast of My Chemical Romance, the wordplay of Fall Out Boy and the theatre of Panic! At the Disco. But fifteen years later, Paramore are the band whose impact is the most visible. Singer Hayley Williams’ female point of view and impressive voice proved to be much needed in the sea of dramatic boys falling apart to songs about hips and hearts. To the pity party, Paramore brought a barrage of solid-gold anthems, recalling the best of Jimmy Eat World, with choruses that, rather than bitterly commiserating, uplifted and consoled. However over the years, their biggest hit proved to be contentious. This is the story of Paramore and their Uneasy History with “Misery Business.” #paramore #miserybusiness #musicdocumentary Hayley Williams quotes by ‪@MaggieMaeFish‬ Fact-checking by Chad Van Wagner. 00:00 Introduction 00:48 The Beginnings of Paramore 06:35 Recording Riot! & "Misery Business" 14:10 The Controversies of "Misery Business" 18:27 The Controversies of "Misery Business" Part 2 21:53 The Legacy of Paramore & "Misery Business" Bibliography "The future's bright, the future's ginger." Emma Johnston, Kerrang!, 2006 "Paramore: Hook-laden post-hardcore from Tennessee" Simon Young, Kerrang! Apr 2006 "Paramore: Pop Punk's Brightest Young Rebels," Kerrang!, Oct 2006 "Paramore" Alex Hoban, NME, 2007 "Paramore - Interview" Tom Bryant, Kerrang!, May 2007 "how about don't believe ANYTHING you read..." Hayley Williams, Paramoreband.livejournal, May 2007 "redemption. it's a long story." Hayley Williams, Paramoreband.livejournal, Jun 2007 "Paramore are a Bunch of Sell Outs" Mark Beaumont, NME, Sep 2007 "We were ready to rip each other's teeth out" Paul Stokes, NME, Apr 2008 "Hallelujah!" David McLaughlin, Kerrang!, May 2008 "Paramore Tackle Friendships on September LP: “There’s Fast, There’s Slow and In Between”" Daniel Kreps, Rolling Stone, Apr 2009 "The 4 Million Album Sales Smile" Gavin Haynes, NME, Oct 2009 "New Moon Rising" Emily Mackay, NME, Oct 2009 "The People vs Hayley Williams" Paul Brannigan, Kerrang!, Apr 2010 "Hayley Williams Takes Issue With Paramore's Portrayal In 'Spin'" James Montgomery, MTV News, Jun 2010 "Paramore: Party in the U.S.A." Josh Eells, Spin, Jun 2010 "“OK, she’s young and probably doesn't have a complete sense of direction but let's listen to what she wants, it will probably work out for the best.”" Jan Blumentrath, Hit Quarters, Sep 2010 "Paramore: "We're not just teenybopper superstars"" Paul Lester, The Guardian, Nov 2010 "Josh Farro “finally tells the truth” about Paramore" Tim Karan, Alternative Press, Dec 2010 "Disgruntled Rock Stars Cite Faith as a Reason for Leaving Band" Christianity Today, Dec 2010 "Hayley Williams Says Paramore Tour Will ‘Light a Fire Under Our Asses’" Jame Montgomery, Rolling Stone, Mar 2015 "Paramore: ‘I've wanted to quit this band so many times’" Sam Wolfson, The Guardian, Apr 2017 "MAY 31, 2015" Hayley Williams, Tumblr, May 2015 "I Think We Have an Anniversary" Tomas Doyle, Kerrang!, Jul 2015 "Paramore’s ‘Riot!’ Producer David Bendeth Reflects on Album 10 Years Later" Taylor Weatherby, Billboard, Jun 2017 "Adult Emotions" Alex Frank, The Fader, Jun 2017 "Hayley Williams: 'It was a lightning in a bottle moment'" Ryan De Freitas, Track 7, Jul 2017 "Snail Mail, Teenage Indie Rock Wunderkind, Bursts From ‘the Era of Shred’" Rob Sheffield, Rolling Stone, Jun 2018 "Hayley Williams Is The 21st Century's Pop-Punk Prophet" Jenn Pelly, NPR, Sep 2018 "Hayley Williams on divorce and forgiving yourself" Cariann Bradley, L'Odet, Jan 2019 "Ok Bloomer: The Rise, Resilience And Evolution Of Hayley Williams" Hannah Ewens, Kerrang!, Mar 2020 "Hayley Williams Isn’t Afraid Anymore" Brittany Spanos, Rolling Stone, Apr 2020 "In Conversation: Hayley Williams: The front women on what went wrong with Paramore, Warped Tour war stories, and her new solo life." Eve Barlow, Vulture, May 2020 "We’ve Got A File On You: Hayley Williams" Julia Gray, Stereogum, May 2020 "Paramore’s Influence Is All Around Us" Quinn Moreland, Pitchfork, Jun 2021 "Paramore’s 'Brand New Eyes' still resonates on its 12th anniversary" Leslie Simon, Alternative Press, Sep 2021 "Willow, Olivia Rodrigo and Pop Punk’s Long, Weird Legacy" Rob Sheffield, Rolling Stone, May 2022 "‘RIOT!’: HOW PARAMORE’S SECOND ALBUM CHANGED THE ALT-POP LANDSCAPE" Cren Gibson, This is Dig, Jun 2022 "Paramore: ‘We realised this band isn’t worth risking our health for’" Laura Snapes, The Guardian, Sep 2022 "The Complicated History of Paramore’s “Misery Business”" Aliya Chaudhry, Paste, Oct 2022 "The Genius Of… Riot! by Paramore" Rachel Roberts, Guitar.com, Oct 2022 "Paramore Bring Back “Misery Business” for First Time Since Retiring Song" Matthew Strauss, Pitchfork, Oct 2022 "How Paramore’s Album 'Riot' Became A Soundboard For Fans 15 Years Later" Marilyn La Jeunesse, Huffington Post, Oct 2022